RMIT Art Collection Online

15 05 2015

Good news: RMIT have digitally recorded most* items in the RMIT Art Collection and made them available via RMIT Art Collection Online.

Launch media: “RMIT’s art collection has come out of the shadows, offices and walls around the university to reveal more than 1000 artworks in a searchable data base for students and researchers to explore.
The RMIT art collection online is a significant resource, facilitating wide general access to university’s dispersed art collection. It provides an immersive experience combining both technology and education – and allows everyone, everywhere with access to technology to explore the treasures held – including fine art, photography, ceramics, sculpture, textiles, new media and a ground-breaking sonic arts collection.

The ‘About’ section of the Online site states: “The collection comprises more than 1500 works of art in a wide array of media, including painting, sculpture, photography, prints and drawings, gold and silversmithing, and works in new media. Many of the works are on display throughout RMIT’s campuses, and form an important component in exhibitions at RMIT Gallery. Works from the collection are also regularly loaned for exhibition to other institutions, both within Australia and internationally.

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Not-so-good news: so to my main interest, the gold and silversmithing collection under the auspices of the W.E. McMillan collection.

No, none of the items have been included in this online repository. Hence my most* statement above.

So while the RMIT collection does in fact include gold and silversmithing, they’re not (yet?) actually included in this excellent online resource (nor are they on display anywhere as far as I know).

I’ve written a number of times before about my desire for more student and public access to the W.E. McMillan collection:

To that end, late last year I wrote to the RMIT Gallery and expressed my interest in volunteering my time to specifically support work on this collection. I received an encouraging reply: “Plans are indeed underway to improve access to the McMillan Collection, both online and via permanent display. However, progress is slow …” “I’ll be very happy to keep you up to date on future projects and volunteering opportunities

I thought this was pretty exciting … however I’ve heard nothing since. I was offering them free time, along with some experience and knowledge with handling such items.
I could help make progress not-so-slow, right?!





Studying jewellery in Melbourne (update)

12 05 2015

It’s been over a year since I last wrote about places to study jewellery in Melbourne. Time for an update.

With respect to formal degree study, the schools in Melbourne are:

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Now, short courses for jewellery and silversmithing:

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There are also many jewellers who regularly open their studio doors and generously share their knowledge and passion.

… I’m sure there are many more, so I’ll add to this listing as I uncover them.

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I’d really like to create a listing of the best short courses in Melbourne for jewellery making – can you recommend where you’ve been or heard is good?

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Previous, now superseded, posts about learning jewellery making in Melbourne

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‘Fresh! 2015′ @ Craft

20 04 2015

Finally I’ve made it to Craft to see an exhibition; though I’m still sad I didn’t manage to see the previous show ‘White Goods‘ (boo).

So it’s Fresh! time again.

exhibition

exhibition

I’m still getting my thoughts in some kind of order … but in reading the works list I noticed that all but two artists are RMIT graduates [there are ten artists; whereas previous years had 12]. I hope that doesn’t mean the Melbourne graduate craft scene is becoming RMIT-centric. Where are the other universities’ students? Are the courses just not there any more? Are the courses not of an equivalent standard (that’s a terrible question, but you can understand why it’s asked)? Are the selections simply reflections of this year’s judges preferences? Lots of questions.

exhibition

exhibition

Selected/awarded artists are:

  • Emma Blackmore (RMIT) – fashion (textile)
  • Katie Collins (RMIT; website) – gold & silversmithing
  • Leana Kim (RMIT; website) – ceramics
  • Christopher Massey (RMIT) – gold & silversmithing
  • Henry Madin (RMIT) – wood sculpture / furniture
  • Scarlett Mellows (RMIT; website) – print image practice
  • Jess Milne (VCA) – ceramic / furniture
  • Thomas O’Hara (RMIT) – gold & silversmithing
  • Tricia Page (RMIT; website) – trampoline!
  • Kate Sylvester (VCA; website) – painting (textile)

For me the most outstanding are the jewellery pieces by Katie Collins (below).

exhibition

exhibition

Mmmm … what did you think when you visited?

Fresh! 2015‘ is at Craft until 24th May 2015.

Other posts:

  • Fresh! 2014‘ (May14)
  • 2013 : this year the exhibition wasn’t at the end of the year but transferred to early in the new year; the year-naming changed over at this point
  • 2012 : oh, I must have missed this exhibition
  • Fresh! 2011‘ (Dec11)
  • Fresh! 2010‘ (Dec10)
  • Fresh! 2009‘ (Dec09)





Nicole Polentas ‘Reinventing a Sense of Place. Crete and the Jewellery Object’ @ RMIT School of Art Gallery

17 04 2015

Regular readers will know of my bold parochial support of the beautiful souls I studied my RMIT degree with … and it’s with immense pleasure I visited one of our number’s PhD exhibition today.

Nicole Polentas has studied with passion and intense commitment for just over ten years now, and it is beyond incredible to see selected pieces from over the years in one place: ‘Reinventing a Sense of Place. Crete and the Jewellery Object‘.

exhibition installation

exhibition installation

It was unexpected, but I confess I was a little emotional walking through the exhibition. I remembered the first time Nicole experimented with her now-signature text ribbons; there are only a few moments when you can say you were there to witness the start of something beautiful.

The pieces are without question extraordinary; the exhibition design gorgeous and perfect.

exhibition installation

exhibition installation

I completely adore the constructs that underpin the front-facing elements … clean lines and beautifully executed. And her exploration of more colouring in her work is promising and brings an extra dimension; I especially like the pinks and greens. The materials listing is interesting in that it includes ‘Greek coffee’ and I wondered where it was used, perhaps in the resin components?

exhibition installation

exhibition installation

The work is personal; the stories close to the surface; her sharing generous and genuine; her intent clear.

I must admit to perhaps being too close to Nicole and her work to give an objective reading of the exhibition [though in reality, I rarely give objective do I(!)]. I think that knowing the artist means I see more layers in the work than a new observer may (maybe) and am too connected to be able to offer anything other than superlatives.

exhibition installation

exhibition installation

I do hope that in time her exegesis will be available for public reading.

I offer Nicole my warmest heartfelt congratulations and look forward to seeing her continued explorations and shows!

Reinventing a Sense of Place. Crete and the Jewellery Object‘ was a one-night-and-day only (examination) exhibition.

Please also see:

Please click below to read more of the media release (from her Events page):

Read the rest of this entry »





In the beginning…

3 04 2015

I’ve previously written about the first project in which I made the woven silver-paper element I’ve been working with for years now.

Recently, inspired by my strong connection to Emma Fielden’s work, I’ve revisited the visual diary and research from that project … and started perhaps to toy with new ideas.

This is my first working example of the weaving, from way back in 2004 … I tried to figure it out in paper first, then a (I now think rather terribly awful!) attempt in cloisonné wire.

first weaving play; image not to be reproduced without express permission

first weaving play; image not to be reproduced without express permission

Humble beginnings.

My lecturer at the time was especially taken with the paper weaving …. what do you think?





Hoorah: 6 years

1 03 2015

Today is my sixth anniversary … six years since I started writing this blog.

The first anniversary called for paper (traditional) or clocks (modern).
The second anniversary called for cotton (traditional) or china (modern).
The third anniversary called for leather (traditional) or crystal (modern).
The fourth anniversary called for fruit or flowers (traditional) or appliances (modern).
The fifth anniversary called for wood (traditional) or silverware (modern).
This sixth anniversary calls for iron (traditional) or wood (modern).

Perhaps to celebrate, an image of the only piece I made during my RMIT degree that included a wood element : Ring for Priest, Martin, 1522.

J#4: ring for priest

J#4: ring for priest

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Art Jewellery Challenge, day 4

24 01 2015

Facebook Art Jewellery Challenge was started by Donna Greenberg in the hope of capturing a diversity of what is happening around the world of art jewellery. I was nominated by Claire O’Halloran (thank you lovely!) so for 5 days I will show some of my jewellery and each day I will also nominate another artist to show us their jewellery.
..
Day Four : Exhibit #5, Quilted Fragment (2006) ; “The motif used in these fragments is strikingly similar to that in Exhibit #1.  As such, the two groups together have been used to derive a possible detail of the extended pattern.  The black colouring of the textile is most unusual for this region, with most work done in white or brightly colour fabric.  As such, these fragments are somewhat of a rarity.”; another piece from my third year jewellery collection
..
Today I nominate Marina Antoniou Jewellery, to show us one of her beautiful creations and nominate an inspiring jeweller every day for five days. ‪#‎ArtJewelleryChallenge‬

image not to be reproduced without permission

image not to be reproduced without permission

20Feb13 : RMIT Year 3, Semester 2, Jewellery
19Jun12 : My piece for ‘The Year was 2006
11Mar13 : RMIT Year 3, Semester 2, Jewellery, continued
01May13 : RMIT Year 3, Semester 2, Jewellery, even more
08Jul13 : Quilt detail
More from 3rd Year RMIT G&S