It seems I have a penchant for tracing things back to their origin … you know when a conversation has veered off on some kind of tangent, after we’ve exhausted that little escapade I then like to track back to how we got there.
So, I have a need to see how my weaving developed … and in the process hopefully uncover some hidden tangents that perhaps I could explore further.
After the initial weaving tests I posted about previously, I then tried out :
- full metal weaving
RMIT Yr1 project; not terribly successful, and I didn’t continue with itnecklace; RMIT Yr1
- scroll / poster hanging
RMIT Yr1 project; oh dear, look at the kinky silk thread, how embarrassment! (blame first year keenness to get the photograph taken, and naivety in not knowing how to get the folds out); I may experiment with this format againscroll pendant; RMIT Yr1
- cut and framed
RMIT Yr1 project; I love this pendant; however the only thing that didn’t quite sit well with me with this format is that the weave is cut to a frame … somehow it made it just a disembodied material, instead of a whole; I’m unlikely to do this again (though, never say never)Machinery project; RMIT Yr1
- free play and pinned
RMIT Yr2 project; this was fun, I experimented a lot in this project with colour and widths and introducing new threads in the weave and taking them away … just joy; and this is where I left the weaving for a few years, I didn’t use it again during the remainder of my degreeblack fancy ring; RMIT Yr2
…though I did return to it for the ‘Feast‘ exhibition at Studio 20/17 in 2009
Nana’s Trifle Recipe
More tomorrow … this has turned out to be a longer trip down memory lane than I expected.
[no photographs in this post to be reproduced without explicit permission of the author]