“Go, said the bird, for the leaves were full of children,
Hidden excitedly, containing laughter.
Go, go, go, said the bird: human kind
Cannot bear very much reality.
Time past and time future
What might have been and what has been
Point to one end, which is always present.”
T. S. Eliot, 1935
An extract from Burnt Norton (Quartet One), Four Quartets
Go, said the bird borrows its title from a poem by T.S. Eliot. The exhibition presents the work of four artists who examine the ambiguous nature of time through images, objects and jewellery.”
As expected, I was completely enamored with Inari’s work … in fact, this was a grouping of objects, jewellery, and photographs from the last eight years. Her large objects are stunning; her fine-line work is precise and almost afraid; the moth pieces are my favourites … but new favourites are the black brooches ‘Clay and rock turning into steel‘ (2015).
Shaun’s large-scale paintings and Marcos’s playful jewellery provide colourful counterpoints to Inari and Courtney’s pieces; Inari’s are dark and broody; Courtney’s intricate, delicate, and fragile.
[There were quite a few visitors at the time I was there, so it wasn’t easy to get photographs of all the work; I’m not keen on publishing images with people in them … in case they should be somewhere else. Worse still though, my little camera phone was being temperamental with light, so many turned out overexposed and blurred. A random-though-related thought: I wonder if perhaps Courtney’s work could have benefited from a coloured background, even if only slightly tinted, to help it stand out (I’m no expert curator mind! just an idea)?]
Check out the exhibition facebook page for more photographs.
Sorry, I was only able to visit this on its last day … ‘Go, said the bird‘ was part of Radiant Pavilion and was at fortyfive downstairs until 12th September 2015.