Nicole Polentas ‘Reinventing a Sense of Place. Crete and the Jewellery Object’ @ RMIT School of Art Gallery

17 04 2015

Regular readers will know of my bold parochial support of the beautiful souls I studied my RMIT degree with … and it’s with immense pleasure I visited one of our number’s PhD exhibition today.

Nicole Polentas has studied with passion and intense commitment for just over ten years now, and it is beyond incredible to see selected pieces from over the years in one place: ‘Reinventing a Sense of Place. Crete and the Jewellery Object‘.

exhibition installation

exhibition installation

It was unexpected, but I confess I was a little emotional walking through the exhibition. I remembered the first time Nicole experimented with her now-signature text ribbons; there are only a few moments when you can say you were there to witness the start of something beautiful.

The pieces are without question extraordinary; the exhibition design gorgeous and perfect.

exhibition installation

exhibition installation

I completely adore the constructs that underpin the front-facing elements … clean lines and beautifully executed. And her exploration of more colouring in her work is promising and brings an extra dimension; I especially like the pinks and greens. The materials listing is interesting in that it includes ‘Greek coffee’ and I wondered where it was used, perhaps in the resin components?

exhibition installation

exhibition installation

The work is personal; the stories close to the surface; her sharing generous and genuine; her intent clear.

I must admit to perhaps being too close to Nicole and her work to give an objective reading of the exhibition [though in reality, I rarely give objective do I(!)]. I think that knowing the artist means I see more layers in the work than a new observer may (maybe) and am too connected to be able to offer anything other than superlatives.

exhibition installation

exhibition installation

I do hope that in time her exegesis will be available for public reading.

I offer Nicole my warmest heartfelt congratulations and look forward to seeing her continued explorations and shows!

Reinventing a Sense of Place. Crete and the Jewellery Object‘ was a one-night-and-day only (examination) exhibition.

Please also see:

Please click below to read more of the media release (from her Events page):

Read the rest of this entry »





NGV jewellery collection

5 01 2015

It’s been four years since I visited the NGV International to see which pieces of their permanent jewellery collection they have displayed.

Though it must be said that in the meantime there has of course been ‘Melbourne NOW‘ and ‘Unexpected Pleasures‘ for sufficient jewellery visiting.

photograph taken under gallery conditions

photograph taken under gallery conditions

The new display makes use of the sleek shelving used in ‘Melbourne NOW‘, which I do think is an improvement on the previous cabinets.

photograph taken under gallery conditions

photograph taken under gallery conditions

While there are many pieces that have pretty much been on display for at least five years (eg. Karl Fritsch, Otto Kunzli wallpaper brooches, Nel Lissen neckpieces, etc), however there were some I hadn’t seen before. Hoorah.

photograph taken under gallery conditions

photograph taken under gallery conditions

I must apologise –  I didn’t make any notes about which pieces are made by whom. Naughty, and less than helpful. So sorry.

Other posts about NGV jewellery collection:
07JAN11 : NGV jewellery collection
07JUL10 : Visit to NGV International
20MAY09: NGV photography update
29APR09 : NGV Collection
10APR09 : NGV Collection

Update (shortly after publishing): the silver cuff near the gold cuff in the first image is ‘Holiday in Cambodia’ by Bernhard Schobinger; the work in the second image is that of Shunichiro Nakashima; thanks to Simon for his comment on the facebook post!





RMIT student work

29 11 2014

While you’re at RMIT visiting ‘Hey Handsome‘ and ‘Greater Than, Less Than‘, make sure you make a quick visit to the basement level of Building 2 to see the student work in the cabinet.

RMIT student cabinet

RMIT student cabinet

This is the closest thing to a 1st and 2nd year exhibition we’ll see this year … yes, much sad face.

 





RMIT graduates ‘Greater Than, Less Than’ @ RMIT

28 11 2014

You’d be forgiven for not knowing about this exhibition … graduates of RMIT Object-based Practice Gold & Silversmithing are showing some of their work at RMIT Building 2 (level 2, left at the top of the stairs).

They’ve titled the show ‘Greater Than, Less Than‘ and are using the >< signs in the catalogue  … the mathematician in me loves this.

photograph taken with permission

photograph taken with permission

Participating artists are:

  • Corin Adams, Cecilia Casillas, Rossmore Childs
  • Brooke Everett, Phoebe Harkness, Henry Hazeldine
  • Ada Hodgson [website], Vicky Kanellopoulos, Christopher Lee
  • Amanda Lo, Tian Lu, Stephanie Martin
  • Zeffarniah Montgomery, Jenna O’Brien, Mirinda Oosten (tumblr)
  • Natasha Sutila, Julia Tran

I walked away with my works lists scribbled all over, highlighting the pieces I liked.

photograph taken with permission

photograph taken with permission

Again, I fear my “liked” list would just be a repeat of the artist listing … but I’ll try to keep to a top three:

  • Jenna O’Brien’s enameled neckpieces ‘Hyde #1‘ and ‘Jekyll #1‘ are fantastic, and what marvellous feel for colour
  • Natasha Sutila’s ‘Composition III‘, an arrangement of painted pins on the wall, is clever and arresting
  • Rossmore Childs’s smithed objects pleased me (as smithed objects do!)
  • Mirinda Oosten’s ring group is displayed in an especially imaginative manner (below)

    photograph taken with permission

    photograph taken with permission

  • you’ll notice I failed to keep to just three ….

Please be sure to show your support to students and visit.

Great Than, Less Than‘ will be at RMIT Building 2 until 5th December 2014.

2013: Good+as+Gold’  @ fortyfive downstairs

2012: As Above, So Below‘ @ Victorian Artists’ Society

2011: It was like a Fever‘ @ No Vacancy Gallery

2010: Bell Weather‘ @ 1000 £ Bend

2009: Cornucopia‘ @ Guildford Lane Gallery





RMIT Honours ‘Hey Handsome’ @ First Site Gallery

27 11 2014

This is a great show! You simply must pop into RMIT First Site Gallery to see ‘Hey Handsome‘, the exhibition for RMIT Honours students from Object-based Practice, Gold & Silversmithing and Ceramics (phew, still a mouthful).

photograph taken with permission

photograph taken with permission

Participating artists are:

  • Sue Buchanan, Pamela Chan, Jia Jia Ji Chen
  • Katie Collins, Allona Goren, Kate Jones
  • Chris Massey, Lindy McSwan, Thomas O’Hara
  • Jana Roman, Lesley Walsh, Kate Wischusen
  • Michael Wong, Xuelin Wong
photograph taken with permission

photograph taken with permission

I happened to coincide my visit, quite accidentally mind, with the visit of a Fresh! judge accompanied by RMIT staff. It was interesting to overhear some of the conversation about the work; I do like to hear the perspective of those with a more experienced eye and insight into the actual making of the pieces.

It was all quite gorgeous … if I was to list those I liked I’d probably just be rewriting the ‘participating artists’ listing.

Though if I was forced to choose just three … erm …

  • Lindy McSwan’s collection stopped me in my tracks

    photograph taken with permission

    photograph taken with permission

  • Kate Jones’s massive ceramic objects are amazing (centre in below image)

    photograph taken with permission

    photograph taken with permission

  • oh please don’t make me … there are so many to like!

Hey Handsome‘ is at First Site Gallery until 5th December 2014.

Update (28th November): make sure you check out the First Site Event facebook page for opening night photographs





Svenja John ‘Assembly’ @ Gallery Funaki

11 10 2014

I do like the revamped Gallery Funaki website. You can see many of the pieces in this exhibition online if you aren’t in Melbourne; though it’s certainly worth personally seeing the current exhibition if you can, for Svenja John‘s ‘Assembly‘ is a riot of colour.

photograph taken with gallery permission

photograph taken with gallery permission

Exhibition media: “In the 20 years since I began working with the polycarbonate MakrofolTM I have developed, bit by bit, my own ‘Jewellery Construction Kit’. In the beginning there were only bone-shaped parts (which I called x-bones), linked together with rings of various sizes to form chains, earrings and bracelets. Eventually more than 10 different basic elements developed from which all the complex jewellery assemblies are plugged together“.

Svenja has a wonderful gift of putting colours together; and the mobiles are whimsical and I think I’d like one in my house.

photograph taken with gallery permission

photograph taken with gallery permission

To me the neckpieces are the stars of the exhibition. Strangely though I think I love the photographs of them more than the items themselves in person. It’s a strange thing indeed; I’m quite unsettled by the realisation. Perhaps the photographs are taken with some backlight, as the material somehow seems more translucent or even glowing.

Most attractive about these constructions are their allusions to medieval jewellery and Berlin iron work. My favourite is the piece in the middle; unfortunately there isn’t a detailed image of it on the exhibition site, but the colour combination is magnificent – magenta, purples, greys.

photograph taken with gallery permission

photograph taken with gallery permission

I did take some photographs of the right-hand side of the gallery, but I was a little distracted at the time and it was only when I arrived home that I realised they were all out of focus. Oopsies.

Svenja John ‘Assembly‘ is at Gallery Funaki until 25th October 2014.

Also see: Svenja John ‘X_BRANEN‘ @ Gallery Funaki, August 2009





Curse the flu

22 08 2014

So I have the flu. I’ve had it all week.
It’s a right pain. And I’m a total sook when I’m unwell.

Worse, it means that I now miss out on seeing ‘Wondernamel 2014‘ and ‘Around The Table‘ at First Site Gallery.

I wish their shows went for longer. Or that they were open for a few hours on a Saturday.
For those of us who work full-time (office hours) it’s nigh on impossible to see them.

First Site has put up some photographs from the opening night of the exhibitions – but they are more focused on people than the objects, and it’s hard to really get a sense for the works.

Oh well, there goes my hope I could vicariously visit the show through the wonder of the internets. Sad.

Did you go? Do you have photographs of the work you’d like to share?