Maureen Faye-Chauhan is showing her first solo exhibition at Gallery Funaki, ‘Concurrence‘.
I popped into the gallery on the crest of a ‘busy wave’ (five browsing customers); it created an interesting environment in which to consider such a quiet collection. If I’m honest, I’d say it was a little challenging (but I’m just one of those people who likes quiet spaces better; I’d never be a good shop owner!).
Exhibition media: “The complex pierced surfaces of Maureen’s jewellery allow light to play a vital role. As pieces move with the body, their steel surfaces ripple and change; interior volumes become apparent and then invisible as the viewer’s attentions shifts between the surfaces and the negative spaces within.”
The photographs don’t do the work justice; the varying colours of the heat-treated mild steel are beautifully subtle. And of course you need to walk past and around them to see how the light and shadow plays.
The Gallery Funaki website has detailed photographs of the pieces – and you can see just how considered, precise and refined they are. There’s a sense of lightness, strength and delicacy.
I especially like the shell pieces. And the three pendants (in the middle of the above image) remind me of the building in London known as ‘The Gherkin’ … in the good way of definite design and clean lines.
That said, my favourites were the gold rings … if I hadn’t already heavily invested in jewellery recently, I may be more seriously considering taking one home.
‘Concurrence‘ is at Gallery Funaki until 2nd May 2015.
Other reading: AJF (Art Jewelry Forum) have just recently published an interview with Maureen about this exhibition that’s absolutely worth reading, for her eloquence as well as the content. I had a bit of an ‘ah ha’ moment when I read about her interest in the moiré effect in Op Art.
[As per my usual approach, I didn’t read it until after I’d had time to distill my own thoughts (above) first.]
I like how she’s phrased this: “hasty unconsidered shortcuts most often create more work” … it’s a more elegant manner of my regular statement that ‘the short cut is often the long way around’.