Following her National Contemporary Jewellery award, Emma Fielden is showing ‘Infinity‘ at Courtesy of the Artist Studio (Surrey Hills, Sydney). Sadly I’m not able to get to the exhibition in person, but feel such a strong connection to the work that I’m compelled to write about it.
I’m impossibly in love with the below image.
When I have an incredibly strong response to another person’s art work like this, I feel like I almost want to disappear into it … I wish I could have thought of it and made it … I want to possess it, not just the object but the ideas that built it … it’s a strange ache, an unnamed emotion … and exceptionally difficult to describe (without sounding just a little psycho!).
I believe the above is a close-up of the below drawing. It’s amazing to my eyes … little changes in the tilt of her hand, ink and energy flow and such, show up in subtle unintended yet beautiful rhythms in the pattern.
Exhibition media: “For this exhibition Emma presents a series of work on the theme infinity – a series of drawings, engraved brooches, and for the first time a print.
The notion of infinity has been emerging in Emma’s work for some time. Her earlier works involving line, mark making and drawing evolved into an exploration of the grid, and in her last body of work (2013) she came to take the grid as a symbol of infinity. Now Emma Fielden has entered into a deeper and more thematic exploration of infinity, both as a mathematic and metaphysical concept. ”
It was only after falling for the above drawings that I also read what Emma has written about her work: “They are pictures of the night sky. They are star gazing. They are a decimal expression of infinity. They are a trinity. They reject religion and suppose its origin. They are devotional. They are an abyss. They are wonder at the infinite and our place in it.”
Oh my … this speaks to so many things I love … numbers and the stars. Not to mention my adoration of work that involves precision, extreme patience and attention; and I think I may also love repetition, but repetition that permits small variations.
The exhibition includes brooches too; though I think they’re trickier to get a feel for without seeing them in person.
I remember seeing the series that secured her award at Courtesy of the Artist last year and felt strangely uncertain though intrigued by them. I think their flatness, their almost two-dimensionality, felt close to unsubstantial … somehow less satisfying than if they had a little more weight or physical depth … though in retrospect this choice is no doubt entirely intentional and required for the expression of the intent.
The Courtesy of the Artist facebook page has a interesting statement attached to one of the photographs: “The lines of the grids extend to the edge of the surface and, by virtue of the imagination, to infinity. Each element is part of the larger grid, which is itself a portion of an even larger one and so on.
Akin to Cantor’s Dust, the work points to the scale of infinity – the infinitely large and the infinitesimally small. It draws on set theory and it’s infinite infinities. And by breaking down the grid and placing it upon the body, it seeks to make the infinite intimate.”
I’m sorry I cannot see the whole body of work in person; here’s hoping that perhaps in time Melbourne shall host an exhibition.
Emma Fielden ‘Infinity‘ is at Courtesy of the Artist Studio until 28th March 2015.