Emma Fielden ‘Iota’ @ Gallery Funaki

26 11 2015

It was such an absolute pleasure to finally see Emma Fielden‘s work in person in Iota‘ at Gallery Funaki.

Wow. Just wow.

photograph taken with gallery permission

photograph taken with gallery permission

“At the centre of my practice is the notion of infinity. The ideas that any line drawn is a mere portion of its infinite potential, and that a mark made is a part within a whole, are fundamental beginnings in my work, which I explore through drawing and objects, in various materials and techniques.” EF, 2015

I was exceptionally interested in seeing the handwritten ‘Infinite‘ drawings, that I’d responded to (incredibly strongly) via images from her Sydney exhibition earlier this year. Even more amazing than I expected.

For some reason I thought that the drawings were built up of little circles; but now realise that it is the number 3 repeated … in a secular meditation on the repeating decimal representation of 1/3 … and being in a triptych, together the three complete to a singular ‘one’.

Make sure you read Emma’s own explanation on her website – which of course, as per usual, I only read after writing the above(!): “The work references devotional religious acts and is itself a devotional act.

photograph taken with gallery permission

photograph taken with gallery permission

The brooches and vessels were a revelation. And smaller than I expected; in the good way, for I like smaller things.

If you visit, please make sure you ask for her technique to be explained. While the pieces are most definitely beautiful in their own right, I believe understanding their construction … the intense precision freedom involved … can only add to their appeal.

Initially I was a wondering if perhaps a perfectly circular (or other geometric) edge shape would align and reflect with the overall concept of infinity … for somehow I have a view, not unlike our ancient and medieval forefathers, that infinite must mean perfect. Perhaps also because I saw perfect geometry in her other Infinity pieces. However I let go of that requirement when I was told that Emma actually makes her own ingots and shapes then to make the plate for the brooches, in many/most cases permitting the edges to form as they choose … another practice I relate to.

I really did want to take some home, especially ‘The Jewel (after James Wright)‘ and the one that looks like an opened clam. Do have a look at the detailed photographs … you can see how the surface detail is formed by repeated engraving. They are a marvel.

photograph taken with gallery permission

photograph taken with gallery permission

And vessels! There should be more vessels in the world I tell you.

Axis Mundi is also an important component of the exhibition. I think perhaps my aversion to shiny-shiny interrupted my contemplation … the mirror is important, for it reflects the construction into an infinity … the vision is coherent, the installation takes hours and hours (nay, days!). Of course the mirror makes total sense … though I have a thing about mirrors … (this is usually where one says ‘it’s not you, it’s me’).

It’s pretty obvious I respond strongly to Emma’s work … the reflections on the infinite … the implicit and intuitive mathematical fundamentals … the devotion … the mediation, obsession, attention to detail, commitment … quiet determination … there is an exceptional clarity that I can only wish for.

Emma Fielden ‘Iota‘ is at Gallery Funaki until 5th December 2015.



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