‘Unclasped’ @ Hellenic Museum, preview

4 02 2016

Just a few photographs from the Unclasped‘ opening at Hellenic Museum … how wonderful!

photograph taken with prior permission

photograph taken with prior permission

I will write more when I have a chance to inspect the lovely jewellery closer, and think a little more about it.

photograph taken with prior permission

photograph taken with prior permission

I plan to visit again next Friday for Robert Baines lecture.

photograph taken with prior permission

photograph taken with prior permission

Unclasped: Discovering Contemporary Greek Jewellery‘ is at Hellenic Museum until 3rd April 2016.





Upcoming: ‘Unclasped’ @ Hellenic Museum

23 01 2016

It’s not usual for me to write a special post to talk about an upcoming exhibition … but I like to do this for friends from my RMIT days.

Dr Nicole Polentas … yes, she’s a Doctor now! … is curating an exhibition that will shortly open at Hellenic Museum in Melbourne.

Unclasped: Discovering Contemporary Greek Jewellery‘ is “an exhibition of contemporary jewellery objects, bringing together and examining the practices of twenty-two artists of Greek descent currently working in Greece, Germany, the United Kingdom, the United States of America, Cyprus and Australia.

The exhibition aims to provide a platform for contemporary thought in order to highlight the work of both established and emerging international Greek artists.

Exploring the connections between the manufacture and the act of wearing jewellery, the works encompass a wide variety of contemporary jewellery making techniques and mediums; expressing the diverse nature of modern jewellery practice within the Hellenic diaspora.

Exhibiting Jewellers: Aggelika Diplari, Akis Goumas, Anastasia Kandaraki, Artemis Valsamaki, Christina Karakalpaki, Constantinos Kyriacou, Danae Natsis, Demitra Thomloudis, Dimitris Nikolaidis, Efharis Alepedis, Erato Kouloubi, George Giannoutsos, Ismini Pachi, Liana Pattihis, Mala Siamptani, Maria Tsimpiskaki, Nicole Polentas, Niki Stylianou, Poly Nikolopoulou, Vicky Kanellopoulos, Vivi Touloumidi and Zeta Tsermou

[text from Hellenic Museum site]

The exhibition will run from 6th February to 3rd April 2016, and there are many associated events such as artist floor talks.

Check out Nicole’s facebook page for progress shots of the amazing exhibition space (designed by Christopher Earl Milbourne) and events.

exhibition media

exhibition media

exhibition media

exhibition media

Get along … I expect to see you there!

Please also see:





Emma Fielden ‘Iota’ @ Gallery Funaki

26 11 2015

It was such an absolute pleasure to finally see Emma Fielden‘s work in person in Iota‘ at Gallery Funaki.

Wow. Just wow.

photograph taken with gallery permission

photograph taken with gallery permission

“At the centre of my practice is the notion of infinity. The ideas that any line drawn is a mere portion of its infinite potential, and that a mark made is a part within a whole, are fundamental beginnings in my work, which I explore through drawing and objects, in various materials and techniques.” EF, 2015

I was exceptionally interested in seeing the handwritten ‘Infinite‘ drawings, that I’d responded to (incredibly strongly) via images from her Sydney exhibition earlier this year. Even more amazing than I expected.

For some reason I thought that the drawings were built up of little circles; but now realise that it is the number 3 repeated … in a secular meditation on the repeating decimal representation of 1/3 … and being in a triptych, together the three complete to a singular ‘one’.

Make sure you read Emma’s own explanation on her website – which of course, as per usual, I only read after writing the above(!): “The work references devotional religious acts and is itself a devotional act.

photograph taken with gallery permission

photograph taken with gallery permission

The brooches and vessels were a revelation. And smaller than I expected; in the good way, for I like smaller things.

If you visit, please make sure you ask for her technique to be explained. While the pieces are most definitely beautiful in their own right, I believe understanding their construction … the intense precision freedom involved … can only add to their appeal.

Initially I was a wondering if perhaps a perfectly circular (or other geometric) edge shape would align and reflect with the overall concept of infinity … for somehow I have a view, not unlike our ancient and medieval forefathers, that infinite must mean perfect. Perhaps also because I saw perfect geometry in her other Infinity pieces. However I let go of that requirement when I was told that Emma actually makes her own ingots and shapes then to make the plate for the brooches, in many/most cases permitting the edges to form as they choose … another practice I relate to.

I really did want to take some home, especially ‘The Jewel (after James Wright)‘ and the one that looks like an opened clam. Do have a look at the detailed photographs … you can see how the surface detail is formed by repeated engraving. They are a marvel.

photograph taken with gallery permission

photograph taken with gallery permission

And vessels! There should be more vessels in the world I tell you.

Axis Mundi is also an important component of the exhibition. I think perhaps my aversion to shiny-shiny interrupted my contemplation … the mirror is important, for it reflects the construction into an infinity … the vision is coherent, the installation takes hours and hours (nay, days!). Of course the mirror makes total sense … though I have a thing about mirrors … (this is usually where one says ‘it’s not you, it’s me’).

It’s pretty obvious I respond strongly to Emma’s work … the reflections on the infinite … the implicit and intuitive mathematical fundamentals … the devotion … the mediation, obsession, attention to detail, commitment … quiet determination … there is an exceptional clarity that I can only wish for.

Emma Fielden ‘Iota‘ is at Gallery Funaki until 5th December 2015.





‘Electric’ @ Craft

14 09 2015

It doesn’t happen often that I wander into an exhibition space not knowing what’s on there. Though it happened this weekend, when I was wandering Flinders Lane and thought to visit Craft, even though I couldn’t for the life of me remember what was showing.

Electric‘ is showing and it was something of a revelation.

installation photograph

installation photograph

Participating artists:

  • Alterfact (Ben Landau and Lucile Sciallano) [website]
  • Mark Edgoose [website]
  • Douglas McManus
  • Bin Dixon-Ward [website] with Jon Osbourne

Exhibition media: “Through a combination of artists, materials and ways of making Electric maps the collaboration of the handmade with digital technology. Crafted objects across metals, plastics, ceramics and textiles engage the body in participatory gallery experiences with installations referencing interaction, wearability and function.

installation photograph

installation photograph; Alterfact

The exhibition may look sparse, but each of the four exhibits are amazing.

My favourite were the pieces by Alterfact (image above), which were 3D printed from Southern Ice Porcelain. Absolutely gorgeous! I wanted to take some home, but the ones I really wanted were all already sold. I especially liked the group that had some wiggly lines and were slightly wonky … as though they’ve been made from yarn that’s been worked and used and reused over and over again … perhaps the machine has a small kniption; they’re beautiful in their imperfection.

installation photograph; Douglas McManus

installation photograph; Douglas McManus

Make sure you read the exhibition page on Craft’s site, as it has a lot of detail from each artist.

There’s a lot to think about with the combination of technologies and making … it’s something I’ve been wondering about for a little while now, even though I haven’t quite figured out how I feel about it and what it means for ‘hand made’…

Electric‘ is at Craft until 3rd October 2015.