‘Small’ & ‘paper_plastic_metal_stone’ @ Black Finch

2 09 2015

And so my Radiant Pavilion madness starts. I’m sad to say that I simply won’t be able to see everything I want to see … but such is the sacrifice one makes, by working in an office, so one can buy jewellery for love … you know.

So, first, ‘Small‘ at Black Finch.

This is a sweet group of three collections from RMIT students. I was saying to the lovely gallery person that I could barely get myself together enough to get my course work done, let alone pieces for an exhibition – so huge kudos to these artists.

Artists: Cara Johnson, Naasicaa Larsen, Gabbee Stolp

installation; photograph taken with gallery permission

installation; photograph taken with gallery permission

Gabbee’s bees are a delight; and Naasicaa’s piece about time is subtle (I like the exploration of time). Cara’s is a sensational piece I think … the bird is exquisitely small (but of course), and it sits in the net in a precarious way … I liked it a lot.

Small‘ is actually in the display window before the gallery door – so it’s available for viewing outside of gallery hours (though I’m not sure about lighting for night times).

Small‘ is part of Radiant Pavilion and is at Black Finch until 30th September 2015.

Now, while I was visiting I was taken by the neckpiece being worn by the delightful Black Finch gallery person. Amazing!

I didn’t take a photograph, as I was hesitant to ask (of course I now wish I had) … but discussion uncovered that it is a piece from another Radiant Pavilion exhibition ‘paper_plastic_metal_stone‘.

Artists: Katie Jayne Britchford, Gillian Deery, Clementine Edwards, Emi Fukuda

It was a Katie Jayne Britchford piece – which is obvious in hindsight and I should have identified it before having to be told! Honestly. Embarrassing.

Made of hefty slices of agate (I think) interspaced by what was perhaps opaque white perspex, on a rope. The simplicity was stunning, in the good way. It reminded me of Dorothea Pruhl‘s work in its monumentality.

This exhibition is actually a little different in that it is being worn by various gallery people during the week, and you can also see it online … I do hope I get to see more.

paper_plastic_metal_stone‘ is part of Radiant Pavilion and will be on people until 6th September 2015.





Melbourne jewellery galleries and artists: part 1

26 10 2011

PART 1 ——————————————————————————–

I’ve been thinking about this for a little while … the relationships between the key Melbourne jewellery galleries / retail spaces and the artists they stock.

For each of the below galleries (in alphabetic order) I went looking for a page on their websites showing a full listing of the artists whose work they represent. Not as standard as I actually expected – a bit surprised really.

From seeing which artists are with which galleries, it looks on the surface that artist agreements with these galleries are not strictly exclusive.

Some examples are below. I haven’t chosen these artists for any other reason than I likely love their work and therefore remember them in each gallery (note though, these may not be the only galleries they have work in):

So it’s pretty clear we have a pretty amazing group of galleries in Melbourne that are okay with giving artists a greater chance of making a living by being stocked in a number of locations (and not locking them in exclusively).

The only possible exception to that is Gallery Funaki … I think … I thought their artists were exclusive, though the David Neale example has confused me.

Also, I vaguely remember being told that Alice Euphemia had ‘exclusive-range’ requirements of artists – though I’m not sure that’s the case for the above artists, so maybe the arrangement is artist-specific?

I also thought some of the other galleries prefer a separate or exclusive group of pieces / collection from the artist; so that it is unique to their retail space.

So to be sure I had the correct information, I wrote to each gallery to ask.

So all of the above text was written before contacting any of the galleries. I wanted to keep it unedited, as it shows the thought process of this post.

Also, while researching the above, I remembered the first post I wrote on this kind of topic earlier this year – it is still relevant and I’d like to expand on it a little further in this post too.

PART 2 coming tomorrow—————————————————————–





Emma Sher @ Self Preservation

20 03 2010

The alumni of my RMIT class have been super-busy lately. Among them is Emma Sher, who has a display in the window of Self Preservation. I last wrote about Emma’s work almost a year ago when she had a solo exhibition at Charles Smith Gallery [here]. Also see Emma’s website for more images of her work.

window of Self Preservation

It’s a bit tricky to get a good image of the work in the window, due to the structure of the window itself!

Self Preservation window

I also popped along to Black Finch on the weekend and found some more of her work there too, alongside another classmate Michelle Taylor. Excellent work ladies!