New experiment: absolute oblivion

9 10 2015

More weaving.
I may have a new project in mind.

O:S 001 absolute oblivion

'absolute oblivion'

‘absolute oblivion’

I’m hesitant to share too much about this idea until I get into it a little more; therefore the code title ‘O:S’.

New fledgling projects need nurturing and protecting at the start… yet somehow I’m impelled to share.

[image in this post not to be reproduced without explicit author permission]





2015 Contemporary Australian Silver & Metalwork Award @ Castlemaine Art Gallery

7 10 2015

It was the most stunning Spring day when I took a drive into the countryside to Castlemaine, to see the latest episode of the important Buda prize: the ‘2015 Contemporary Australian Silver & Metalwork Award‘ at the Castlemaine Art Gallery.

photograph taken with gallery permission

photograph taken with gallery permission

Awards (see gallery page for beautiful photographs):

  • (professional) The Leviny Commemorative award: Daehoon Kang … this is an amazing vessel, with the most stunning counter-balancing design and gorgeous surface treatment
  • (professional) Arts Centre Melbourne Silver award: Janine Tanzer … the shape and decorative elements harking back to the height of the roaring 20s
  • (professional) The Australian Decorative and Fine Art Societies Emerging artist award: Maureen Faye-Chauhan … strongly geometric pieces (as per her recent exhibition)
  • (professional) The Australian Decorative and fine Art Society of Yarra Anniversary award: Joungmee Do … the most exceptional, outrageous, jubilant object (below image)
  • (student / recent graduates) e.g.etal Design & Development award: Yu Fang Chi … incredibly delicate, almost like fairy-floss
  • (student / recent graduates) A & E Metals award: Larah Nott … her smithing pieces won her this award, though I especially liked the precision of her neckpiece
  • (student / recent graduates) Gold & Silversmithing Guild of Australia award: Kimba Pham … proving that scale isn’t necessary to show exceptional design and handskills
Joungmee Do's piece ; photograph with gallery permission

Joungmee Do’s piece ; photograph with gallery permission

This gallery is a much more deserving place for this exhibition … the previous venue in Bendigo wasn’t quite right (though should have received many visitors), and Buda (though a lovely home) was almost not quite grand enough. It’s pleasing for these objects to be positioned in an art gallery, in a room adjacent to a colonial collection. Perhaps it’s the traditionalist in me, but I think this space elevates the pieces, and hopefully it does this for visitors (particularly those who’ve not come to the gallery especially to see this exhibition).

photograph with gallery permission

photograph with gallery permission

Of course I particularly like to see the larger scale smithing objects in this exhibition – for me the first vitrine was wonderful (first image above). There are not as many shows for this oeuvre as there is for jewellery, so it’s a joy to see them playing with each other. Most especially I was pleased to see less highly polished surfaces this year, and perhaps more diversity of materials.

2015 Contemporary Australian Silver & Metalwork Award‘ is at Castlemaine Art Gallery until 18th October 2015.

See also:

Check out the article in The Age too :  ‘Craft review: Contemporary Australian silver and metalwork dazzles‘ … the author makes an interesting point about six of the seven award winners being women.

More photographs below (not published above to save load times):

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