Red diamonds

20 05 2013

While I knew that diamonds could be found in pretty much any colour, I didn’t realise how rare the red ones were until I saw a recent news article (also here).

news media

media image

According to Argyle: “Since mining began in 1983 only six diamonds certified as Fancy Red…” and three of them will be sold this year. The biggest in the image above, called the Argyle Phoenix, is 1.56ct.

I do wonder about the culture of coveting fancy-coloured diamonds … yes they’re rare, I get that, and it could be considered human nature to desire rareness and specialness.

However, consider how feted a huge canary-yellow diamond is (sorry to say I think these often look like frozen wee; but a friend has described them as frozen sunshine, which is nicer) … how the press and some sections of the consumer community go a little bit silly for them. Now consider a stone of exactly the same colour and cut (perhaps a topaz?) … would it garner the same reaction from viewers if it wasn’t clear that it wasn’t a diamond? They look almost exactly the same (yes, there will be arguments that the diamond will sparkle more), yet when you know what one is versus the other, the value perception changes. [You can see why I liked Claire McArdle's concept, as it also focused on perception.]

I have the same question about pink diamonds: if you want a pink stone, why not a pink sapphire or a tourmaline or any number of other stones?

It seems to me that it comes down to two entirely different motivations: aesthetics and rarity … both of which are totally valid and fabulous in my view, as I often waver between the two myself. Either way though, I won’t be buying a red diamond.





Dear Contemporary Jewellery …

6 05 2013

Zoe Brand writes a regular column ‘Brandlandia’ for a NZ jewellers newsletter ‘Overview’.

In this issue she wrote a love letter to Contemporary Jewellery (CJ):

I’ve been thinking lately, what is this thing that has become my life. I wanted to write it a quick note just to let it know how much it means to me. I though a love letter would be a lovely vehicle in which to express freely and informally my relationship with it, or what I more affectionately call it: CJ (aka contemporary jewellery).

Dearest CJ
Thanks for being the reason I jump out of bed in the morning!
Thanks for being the reason that I look for the edge and want to push past it.
Thanks for being the reason that I have so many BFF’s!
Thanks for being the reason I am I hardly content by just ‘pretty’ things.
Thanks for being the reason I am, who I am.
So much love, now and forever
ZB

As she writes, she also “asked some of my good friends to drop a line to their lovers.

This was my love letter … it took less than a minute to write and I was genuinely surprised by the content.

Dearest Contemporary Jewellery
You know of the deep admiration I hold for you.
In your rare quieter guise, I adore and relate to you.

I want to hold you close, be near you, be reflected in you.
But your wilder side is bewildering to me.

I wish I could like it more.
I wish I could be like it more.
I have tried. I am yet to succeed.
Can I not be brought into the fold until I am more like you?
Your uncertain lover

MelbourneJeweller

For more love letters see the latest ‘Overview’ newsletter #12.





Exhibition invitations

5 05 2013

I’m excited.

Why?

During one of my sporadic cupboard clearouts I found an invitation to my 1st & 2nd Year exhibition ‘Construct‘, as well as the invitation for my graduate exhibition ‘Out of the Basement‘.

Whoo!

invitation for Construct

invitation for Construct

invitation for 'Out of the Basement'

invitation for ‘Out of the Basement’





Opal gorgeousness

3 05 2013

While I was making for the ‘My Australia‘ exhibition I tinkered with making earrings with these incredibly beautiful opals (unfortunately covered in my fingerprints in this photo!).

Aurora design; image not to be reproduced without permission

Aurora design; image not to be reproduced without permission

My workload, jewellery and otherwise, meant that they haven’t yet been made … though perhaps in the next few months they’ll materialize.





RMIT Year 3, Semester 2, Jewellery, even more

1 05 2013

I promise, this is the last post about this project.

This collection had quite a number of components. I’ve already written about my most favourite ones, but thought I’d share some images of the other ‘minor’ pieces.

Exhibit ; image not to be reproduced without permission

Exhibits 6 & 7 ; image not to be reproduced without permission

Exhibit ; image not to be reproduced without permission

Exhibits 3 & 4 ; image not to be reproduced without permission

Exhibit ; image not to be reproduced without permission

Exhibit 5 ; image not to be reproduced without permission

More below.

… last post in this series: RMIT Year 3: graduate exhibition  …
… see more projects from RMIT Year 3 here

Read the rest of this entry »





Another diamond; plus a more interesting auction

27 04 2013

Another big diamond has sold for lots of monies.
News says: “5.30 carat “fancy” diamond, set in a Trombino ring, for £6,201,250“.

news media; click on image for original source

news media; click on image for original source

The image on the auction house website shows a slightly lighter colour stone, and in its original ring setting.

auction media; click on image for original source

auction media; click on image for original source

I browsed through the whole auction result list, but my eyes quickly glazed over … big stones, little creativity or interest.

However, I did find that Bonham’s has a more interesting auction coming up: it’s listed as Antiquities, and there’s jewellery to be had! I’m not sure if I’m genuinely serious enough to actually do any purchasing (not only because it’s pretty difficult to buy sight-unseen), but these have definitely piqued my interest:

  • (lot 118) Four Egyptian repoussé gold sheet mummy amulets; Late Period – Ptolemaic, circa 664-32 B.C.

    click on image for original source

    click on image for original source

  • (lot 119) A group of Egyptian glass and glazed composition amulets and beads; New Kingdom – Late Period, circa 1550-30 B.C.

    click on image for original source

    click on image for original source

  • (lot 141) A collection of Ancient glass beads; Phoenician – Islamic Period
  • (lot 169) Three Greek sheet gold diadems; Hellenistic, circa 2nd Century B.C.

    click on image for original source

    click on image for original source

  • (lot 224) A Roman green jasper intaglio ring; Circa 1st-2nd Century A.D.

    click on image for original source

    click on image for original source

  • (lot 253) A pair of Roman gold earrings; Circa 1st-3rd Century A.D.

    click on image for original source

    click on image for original source

  • (lot 262) A group of Roman gold jewellery; Circa 2nd-3rd Century A.D.

    click on image for original source

    click on image for original source

I could continue … but I shall stop and you can see more yourself.





More detail on ‘My Australia’ pieces

26 04 2013

I had such fun making three brooches for the My Australia‘ exhibition.

As I mentioned in my previous post, the construction was a little different to work I’ve made before. The adaptions to construction were due to these being brooches, not pendants – so I needed to find a way of incorporating the brooch backs / pins.

in progress

in progress

My Australia group; image not to be reproduced without permission

My Australia group; image not to be reproduced without permission

My Australia group; image not to be reproduced without permission

My Australia group; image not to be reproduced without permission

They were essentially made upside-down, with the bezel set on the back. I could probably refine the method with more practice.

I added a single thread of fine gold cloisonné wire to the back of the ‘Sunrise‘ brooch … I love surprises just for the wearer.

I’d love to see the exhibition in its entirety – the collection of makers looks diverse and interesting!

My Australia‘ is at Seven Spirit Bay Eco Resort until November 2013. [see update below]

Update (26th April): The exhibition was originally to open in April and go through to November; however I understand that due to unforeseen circumstances, the exhibition will be moved to a new location and will open in a few months.