RMIT student work

29 11 2014

While you’re at RMIT visiting ‘Hey Handsome‘ and ‘Greater Than, Less Than‘, make sure you make a quick visit to the basement level of Building 2 to see the student work in the cabinet.

RMIT student cabinet

RMIT student cabinet

This is the closest thing to a 1st and 2nd year exhibition we’ll see this year … yes, much sad face.

 





RMIT graduates ‘Greater Than, Less Than’ @ RMIT

28 11 2014

You’d be forgiven for not knowing about this exhibition … graduates of RMIT Object-based Practice Gold & Silversmithing are showing some of their work at RMIT Building 2 (level 2, left at the top of the stairs).

They’ve titled the show ‘Greater Than, Less Than‘ and are using the >< signs in the catalogue  … the mathematician in me loves this.

photograph taken with permission

photograph taken with permission

Participating artists are:

  • Corin Adams, Cecilia Casillas, Rossmore Childs
  • Brooke Everett, Phoebe Harkness, Henry Hazeldine
  • Ada Hodgson [website], Vicky Kanellopoulos, Christopher Lee
  • Amanda Lo, Tian Lu, Stephanie Martin
  • Zeffarniah Montgomery, Jenna O’Brien, Mirinda Oosten (tumblr)
  • Natasha Sutila, Julia Tran

I walked away with my works lists scribbled all over, highlighting the pieces I liked.

photograph taken with permission

photograph taken with permission

Again, I fear my “liked” list would just be a repeat of the artist listing … but I’ll try to keep to a top three:

  • Jenna O’Brien’s enameled neckpieces ‘Hyde #1‘ and ‘Jekyll #1‘ are fantastic, and what marvellous feel for colour
  • Natasha Sutila’s ‘Composition III‘, an arrangement of painted pins on the wall, is clever and arresting
  • Rossmore Childs’s smithed objects pleased me (as smithed objects do!)
  • Mirinda Oosten’s ring group is displayed in an especially imaginative manner (below)

    photograph taken with permission

    photograph taken with permission

  • you’ll notice I failed to keep to just three ….

Please be sure to show your support to students and visit.

Great Than, Less Than‘ will be at RMIT Building 2 until 5th December 2014.

2013: Good+as+Gold’  @ fortyfive downstairs

2012: As Above, So Below‘ @ Victorian Artists’ Society

2011: It was like a Fever‘ @ No Vacancy Gallery

2010: Bell Weather‘ @ 1000 £ Bend

2009: Cornucopia‘ @ Guildford Lane Gallery





RMIT Honours ‘Hey Handsome’ @ First Site Gallery

27 11 2014

This is a great show! You simply must pop into RMIT First Site Gallery to see ‘Hey Handsome‘, the exhibition for RMIT Honours students from Object-based Practice, Gold & Silversmithing and Ceramics (phew, still a mouthful).

photograph taken with permission

photograph taken with permission

Participating artists are:

  • Sue Buchanan, Pamela Chan, Jia Jia Ji Chen
  • Katie Collins, Allona Goren, Kate Jones
  • Chris Massey, Lindy McSwan, Thomas O’Hara
  • Jana Roman, Lesley Walsh, Kate Wischusen
  • Michael Wong, Xuelin Wong
photograph taken with permission

photograph taken with permission

I happened to coincide my visit, quite accidentally mind, with the visit of a Fresh! judge accompanied by RMIT staff. It was interesting to overhear some of the conversation about the work; I do like to hear the perspective of those with a more experienced eye and insight into the actual making of the pieces.

It was all quite gorgeous … if I was to list those I liked I’d probably just be rewriting the ‘participating artists’ listing.

Though if I was forced to choose just three … erm …

  • Lindy McSwan’s collection stopped me in my tracks

    photograph taken with permission

    photograph taken with permission

  • Kate Jones’s massive ceramic objects are amazing (centre in below image)

    photograph taken with permission

    photograph taken with permission

  • oh please don’t make me … there are so many to like!

Hey Handsome‘ is at First Site Gallery until 5th December 2014.

Update (28th November): make sure you check out the First Site Event facebook page for opening night photographs





Svenja John ‘Assembly’ @ Gallery Funaki

11 10 2014

I do like the revamped Gallery Funaki website. You can see many of the pieces in this exhibition online if you aren’t in Melbourne; though it’s certainly worth personally seeing the current exhibition if you can, for Svenja John‘s ‘Assembly‘ is a riot of colour.

photograph taken with gallery permission

photograph taken with gallery permission

Exhibition media: “In the 20 years since I began working with the polycarbonate MakrofolTM I have developed, bit by bit, my own ‘Jewellery Construction Kit’. In the beginning there were only bone-shaped parts (which I called x-bones), linked together with rings of various sizes to form chains, earrings and bracelets. Eventually more than 10 different basic elements developed from which all the complex jewellery assemblies are plugged together“.

Svenja has a wonderful gift of putting colours together; and the mobiles are whimsical and I think I’d like one in my house.

photograph taken with gallery permission

photograph taken with gallery permission

To me the neckpieces are the stars of the exhibition. Strangely though I think I love the photographs of them more than the items themselves in person. It’s a strange thing indeed; I’m quite unsettled by the realisation. Perhaps the photographs are taken with some backlight, as the material somehow seems more translucent or even glowing.

Most attractive about these constructions are their allusions to medieval jewellery and Berlin iron work. My favourite is the piece in the middle; unfortunately there isn’t a detailed image of it on the exhibition site, but the colour combination is magnificent – magenta, purples, greys.

photograph taken with gallery permission

photograph taken with gallery permission

I did take some photographs of the right-hand side of the gallery, but I was a little distracted at the time and it was only when I arrived home that I realised they were all out of focus. Oopsies.

Svenja John ‘Assembly‘ is at Gallery Funaki until 25th October 2014.

Also see: Svenja John ‘X_BRANEN‘ @ Gallery Funaki, August 2009





Curse the flu

22 08 2014

So I have the flu. I’ve had it all week.
It’s a right pain. And I’m a total sook when I’m unwell.

Worse, it means that I now miss out on seeing ‘Wondernamel 2014‘ and ‘Around The Table‘ at First Site Gallery.

I wish their shows went for longer. Or that they were open for a few hours on a Saturday.
For those of us who work full-time (office hours) it’s nigh on impossible to see them.

First Site has put up some photographs from the opening night of the exhibitions – but they are more focused on people than the objects, and it’s hard to really get a sense for the works.

Oh well, there goes my hope I could vicariously visit the show through the wonder of the internets. Sad.

Did you go? Do you have photographs of the work you’d like to share?





Bin Dixon-Ward ‘Grids’ @ Craft

20 08 2014

Bright colour abounds at Bin Dixon-Ward‘s ‘Grids‘ exhibition at Craft.

'Small City'

‘Small City’

I like that each ring in the above collection has its own stand. On the surface the forms may appear repetitive, but subtle differences are the reward for careful inspection.

Exhibition media: “Bin Dixon-Ward’s exhibition is a playful exploration of the grid as it appears in the urban form.

Grids are everywhere, in the layout of our cities and towns, in land divisions for agriculture and housing, floor plans and building facades; the urban grid has endless translations.  As a fundamental unit of our endeavours to manage and control our environment, we use the grid to protect us, to navigate our way and to mark and control our boundaries.  The grid maintains a structure that is both self-supporting and flexible. Its foundations remain intact even when the surface is altered and eroded through use.

installation

installation

My sense is that the wearable pieces are far more powerful on a body than still and on display.

I am interested in how this technology will impact future creation of adornment – perhaps even self-service jewellery, where a ‘designer’ makes their original design available online and a person can purchase it to have it printed themselves in whatever colour and material they desire.

Bin’s website has some wonderful images of her work. And the exhibition was rapturously written about by the ladies at HandMadeLife (with beautiful photographs).

Bin Dixon-Ward’s ‘Grids‘ is at Craft until 30th August 2014.

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Update (21st August): Bin’s work is featured in one of the glossies – check out Pieces of Eight’s blog.

And the eagle-eyed among you would have spotted that the works list says there are 10 pieces in the ‘Small City‘ collection, but there are only 9 on the table. When I visited I counted and recounted about five times to be sure – then wondered if perhaps one had sold (though it’s exceptionally rare, if not unheard of for a piece to be removed from an exhibition before its finished); then had a sinking feeling that some despicable [swearword] had stolen one. But thankfully, after checking the original photographs from Craft, it seems that there may have always been 9 … just a little typo. Phew.

Bin has also been mentioned in the following previous blog posts:

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Vito Bila ‘Unseamly Vessels’ @ Craft

19 08 2014

There simply aren’t enough silversmithing exhibitions.
Large scale metalwork is magnificent.
Vito Bila is one of smiths I admire most.
He is showing a collection of work at Craft, titled ‘Unseamly Vessels‘.

It’s a particularly apt title I think, for in my eyes the work has evolved from exceptionally minimal vessels (of many years ago) to these pieces …

installation

installation

… where the seams are distinctly obvious, exaggerated or highlighted. Some with texture, some with technique, and some with thick application of alternative metals (in the aluminium on copper vessels).

A handful of the pieces on show are from 2007, with others from 2011 and since.

The below vessels are the standouts to me – stainless steel, with precision-spaced welding dots … beautiful. The paper studies for these were in the previous exhibition I saw of his work, at Monash.

Vessel cluster #1 (2012)

Vessel cluster #1 (2012)

I’m at a bit of a loss with respect to the chosen exhibition design (the off-angle green one at the back upsets my peculiar penchant for lined up edges) – perhaps the uneven and distinct tables reflect the seams on the vessels. That said, the pre-loved work tables are a most effective contrast to the refined cabinets of the ‘Transplantation‘ exhibition in the same room.

Best of all, it pleases me no end that there is not a highly polished surface in sight.

Vito Bila ‘Unseamly Vessels‘ is at Craft until 30th August 2014.

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See also: September 2012 Vito Bila ‘narrative

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