My pieces for RMIT Auction 2014

14 07 2014

So the decision has been made.

This year I’ve donated two pairs of earrings to the RMIT Object-based Practice Gold & Silversmithing 2014 Auction:

donate_noflash

without flash

donate_flash

with flash

I like the back of them too.

In fact, a friend I made a bespoke pair for re-bent the ear wires to wear them ‘backwards’ – which in fact looks even more excellent.

donate_flatwhite

Flat White

donate_miami

Miami

Check the details of the RMIT Auction on their tumblr here – get donating and/or get buying!

[Please note: all images in this post not to be reproduced without permission]





Karl Fritsch ‘yodel’ @ Gallery Funaki

11 07 2014

What’s not to love about Karl Fritsch I ask you?

Karl’s latest exhibition, yodel‘ at Gallery Funaki, delivers what you’d expect, and hope for, from this modern master – subversiveness, cheekiness, playfulness, unusual handling of materials, challenge, uncertainty, remarkable individuality, smirks, and absolute delight.

beautiful image courtesy of Gallery Funaki; image copyright belongs to the gallery

beautiful image courtesy of Gallery Funaki; image copyright belongs to the gallery

Exhibition media: “His rings, both precious and anti-precious, beautiful and proudly anti-beautiful, bear the weight and scars of centuries of embedded cultural belief about jewellery’s manifestation of status. Using precious materials as well as rough hewn aluminium, stones and glass, Fritsch’s work has the look of something buried for a thousand years while remaining utterly contemporary.
Selected works are also shown from a recent collaboration between Fritsch and Auckland based photographer Gavin Hipkins

exhibition media; courtesy of Gallery Funaki and the copyright remains with the gallery

exhibition media; with thanks to and courtesy of Gallery Funaki; copyright remains with the gallery

There are some truly monumental pieces in this exhibition, including those in the exhibition image (above). These are made of aluminium and set with brightly coloured stones. I admit to being both amused and uncomfortable with them.

They’re cheerful and hilarious in their chunkiness, scale and gaudy colour combinations … and in reflecting on them I realised that for some reason I do prefer my jewellery to be serious [which is entirely my burden to bear and not the responsibility of any artist to relieve me of it!]. I wondered if I may have found them more satisfying if the finish were more textured and bashed-about and a smidge less shiny-shiny [again, totally my perception]? I’d like to think more about these…

Ring #351, 2011; image with thanks to and courtesy of Gallery Funaki; copyright remains with the gallery

There were some rings that I genuinely fell in love with, much to my delight. Most especially a yellow gold ring set with orange garnets (above). The gold rectangular strip, perhaps 10mm by 2mm (or so), has been simply curved into a ring with a satisfying overlap; with five little pillows set with varying colours of tiny garnets. Completely delightful in my view. I tried it on, though sadly my skin tone doesn’t do it justice – it needs someone with more olive or tanned skin than I to bring it to life. Sigh.

The others that particularly appealed to me where the yellow gold ones, set with little stones. I suspect I’m in a matt gold kind of phase… how ridiculously gorgeous is the one in the image below?!

with thanks to and courtesy of Gallery Funaki; copyright remains with the gallery

with thanks to and courtesy of Gallery Funaki; copyright remains with the gallery

There is so much to look at and think about: 67 rings (with creations years varying from 2014 back to 2004), 2 bracelets, and 7 collaborative images and objects.

with thanks to and courtesy of Gallery Funaki; copyright remains with the gallery

with thanks to and courtesy of Gallery Funaki; copyright remains with the gallery; ‘Der Tiefenglanz (Cosmos)’, 2014, silver gelatin print, aluminium, cubic zirconia

The photographic collaborations with Gavin Hipkins are moody and interesting; though I did find myself somewhat distracted by the glory of Karl’s rings. The above is particularly amazing – the scale in the image is misleading, as I originally thought it may be about postcard size, but in fact it’s about A4 and so the scratches are forceful and have great presence.

It’s a surprise to me that my understanding of Karl’s work continues to deepen, and I’m glad for it. Go forth and see what you see too.

Karl Fritsch’s ‘yodel‘ is at Gallery Funaki until 9th August 2014.

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Other posts about Karl Fritsch:

20th December 2010: Returning to the jewel is a return from exile’ @ Tarrawarra Museum of Art

9th June 2010: Karl Fritsch ‘freeling‘ @ Gallery Funaki

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Update (12th July): after a little more thought, I wondered about the title of the exhibition … why ‘yodel‘?

A little bit of research later … consider these descriptions of yodeling: “repeated changes of pitch during a single note” or “oscillates on neighbor tones” or “an ornament or trill in phrases which have long syllables” and “the basic yodel requires sudden alterations of vocal register from a low-pitched chest voice to high falsetto tones” and of course its use as a means of village-to-village communication.

While I cannot speak for why the title was chosen, I do like very much the connections these little snippets create in my mind.

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Which to donate?

4 07 2014

The RMIT Jewellery Auction – officially named the RMIT Object-based Practice Gold & Silversmithing Jewellery Auction (and breathe) – is coming up in early August. Hoorah.

And so it is time to decide what to donate.

As regular readers know, I’m taking a break from making right now – so I’ll be choosing one of my already-made earrings.

Either one from the ‘Coffee’ series

'Coffee' ; image not to be reproduced without permission

‘Coffee’ ; image not to be reproduced without permission

or the ‘Summer’ group.

Summer group; image not to be reproduced without permission

‘Summer’; image not to be reproduced without permission

Decisions. Decisions.

Check out the donations on their tumblr blog.

Are you donating? Would you like to? If so, please make sure you contact the RMIT department; or send me an email and I’ll forward you the donation request email (with all details etc). Donations to be received by 16th July.





My jewellery collection #28

24 06 2014

I’ve undertaken a little Etsy purchase experiment and it’s turned out quite well actually.

I’ve bought a rose-cut aquamarine ring; sterling silver band and yellow gold bezel.

It feels good on; it’s true to size; and I like the stone very much indeed.

Bought from here.

… last post on my jewellery collection #27





More historic jewellery

18 06 2014

In more documentary-watching news … this is a magnificent pectoral (really just a pendant) from Egypt’s Middle Kingdom: the Senwosret III Pectoral (Egyptian Museum, Cairo).

screen shot from documentary, approx 7min mark

screen shot from documentary, approx 7min mark

From the second film in the BBC series ‘Treasures of Ancient Egypt‘.

Particularly entertaining is the commentators description of it as a ‘despot’s bauble: it’s sinister and dazzling, it’s alluring and also toxic … kind of like the jewellery equivalent of a poisonous orchid‘.

It’s gold and while it looks like enamel it’s actually set turquoise, carnelian and lapiz lazuli.





My jewellery collection #27

5 06 2014

Remember when I supported the kickstarter campaign for moving on collective?

Today the spoils arrived … a little paper brooch by Sophie Main.

new little package

new little package

Hoorah! How adorable is the packaging? So thoughtful.

close up

close up