My pieces for RMIT Auction 2014

14 07 2014

So the decision has been made.

This year I’ve donated two pairs of earrings to the RMIT Object-based Practice Gold & Silversmithing 2014 Auction:

donate_noflash

without flash

donate_flash

with flash

I like the back of them too.

In fact, a friend I made a bespoke pair for re-bent the ear wires to wear them ‘backwards’ – which in fact looks even more excellent.

donate_flatwhite

Flat White

donate_miami

Miami

Check the details of the RMIT Auction on their tumblr here – get donating and/or get buying!

[Please note: all images in this post not to be reproduced without permission]





Karl Fritsch ‘yodel’ @ Gallery Funaki

11 07 2014

What’s not to love about Karl Fritsch I ask you?

Karl’s latest exhibition, yodel‘ at Gallery Funaki, delivers what you’d expect, and hope for, from this modern master – subversiveness, cheekiness, playfulness, unusual handling of materials, challenge, uncertainty, remarkable individuality, smirks, and absolute delight.

beautiful image courtesy of Gallery Funaki; image copyright belongs to the gallery

beautiful image courtesy of Gallery Funaki; image copyright belongs to the gallery

Exhibition media: “His rings, both precious and anti-precious, beautiful and proudly anti-beautiful, bear the weight and scars of centuries of embedded cultural belief about jewellery’s manifestation of status. Using precious materials as well as rough hewn aluminium, stones and glass, Fritsch’s work has the look of something buried for a thousand years while remaining utterly contemporary.
Selected works are also shown from a recent collaboration between Fritsch and Auckland based photographer Gavin Hipkins

exhibition media; courtesy of Gallery Funaki and the copyright remains with the gallery

exhibition media; with thanks to and courtesy of Gallery Funaki; copyright remains with the gallery

There are some truly monumental pieces in this exhibition, including those in the exhibition image (above). These are made of aluminium and set with brightly coloured stones. I admit to being both amused and uncomfortable with them.

They’re cheerful and hilarious in their chunkiness, scale and gaudy colour combinations … and in reflecting on them I realised that for some reason I do prefer my jewellery to be serious [which is entirely my burden to bear and not the responsibility of any artist to relieve me of it!]. I wondered if I may have found them more satisfying if the finish were more textured and bashed-about and a smidge less shiny-shiny [again, totally my perception]? I’d like to think more about these…

Ring #351, 2011; image with thanks to and courtesy of Gallery Funaki; copyright remains with the gallery

There were some rings that I genuinely fell in love with, much to my delight. Most especially a yellow gold ring set with orange garnets (above). The gold rectangular strip, perhaps 10mm by 2mm (or so), has been simply curved into a ring with a satisfying overlap; with five little pillows set with varying colours of tiny garnets. Completely delightful in my view. I tried it on, though sadly my skin tone doesn’t do it justice – it needs someone with more olive or tanned skin than I to bring it to life. Sigh.

The others that particularly appealed to me where the yellow gold ones, set with little stones. I suspect I’m in a matt gold kind of phase… how ridiculously gorgeous is the one in the image below?!

with thanks to and courtesy of Gallery Funaki; copyright remains with the gallery

with thanks to and courtesy of Gallery Funaki; copyright remains with the gallery

There is so much to look at and think about: 67 rings (with creations years varying from 2014 back to 2004), 2 bracelets, and 7 collaborative images and objects.

with thanks to and courtesy of Gallery Funaki; copyright remains with the gallery

with thanks to and courtesy of Gallery Funaki; copyright remains with the gallery; ‘Der Tiefenglanz (Cosmos)’, 2014, silver gelatin print, aluminium, cubic zirconia

The photographic collaborations with Gavin Hipkins are moody and interesting; though I did find myself somewhat distracted by the glory of Karl’s rings. The above is particularly amazing – the scale in the image is misleading, as I originally thought it may be about postcard size, but in fact it’s about A4 and so the scratches are forceful and have great presence.

It’s a surprise to me that my understanding of Karl’s work continues to deepen, and I’m glad for it. Go forth and see what you see too.

Karl Fritsch’s ‘yodel‘ is at Gallery Funaki until 9th August 2014.

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Other posts about Karl Fritsch:

20th December 2010: Returning to the jewel is a return from exile’ @ Tarrawarra Museum of Art

9th June 2010: Karl Fritsch ‘freeling‘ @ Gallery Funaki

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Update (12th July): after a little more thought, I wondered about the title of the exhibition … why ‘yodel‘?

A little bit of research later … consider these descriptions of yodeling: “repeated changes of pitch during a single note” or “oscillates on neighbor tones” or “an ornament or trill in phrases which have long syllables” and “the basic yodel requires sudden alterations of vocal register from a low-pitched chest voice to high falsetto tones” and of course its use as a means of village-to-village communication.

While I cannot speak for why the title was chosen, I do like very much the connections these little snippets create in my mind.

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Other Julys

3 07 2014

I quite liked looking back of the other Junes last month.
So I shall indulge in a little more..

July 2009

July 2010

July 2011

July 2012

July 2013

And there’s so much on this July too!





Other Junes

1 06 2014

I thought I’d take a walk through old posts and see what’s been on in previous Junes.

June 2009

June 2010

June 2011

June 2012

Memories.





Natalia Milosz-Piekarska ‘Immortal Morsels’ @ Pieces of Eight

26 05 2014

Natalia continues her exploration of the contemporary representation of ancient amulets in Immortal Morsels‘ at Pieces of Eight.

photograph taken with permission

photograph taken with permission

Exhibition media: “Throughout time and across cultures, folk have made use of an endless repository of enigmatic edibles, administering and worshiping them with the belief that they may house magical and medicinal properties. They have been used to heal, protect and alter our physical and mental states.
Whether flora or fauna, garnered from land or sea, some ingredients take on such divine eminence that the question could be asked, are they food of the gods, or are they gods in themselves?

The white paper landscape is evocative and whimsical … almost like a children’s book illustration. I initially wondered whether colour may have been more vibrant; though of course that would surely have overwhelmed the smaller delicate jewellery pieces.

photograph taken with gallery permission

photograph taken with gallery permission

The vitrine shows the smaller jewellery, and the window housed the large-scale and very colourful neckpieces.

Natalia has also decorated the high front windows – they look like marine flora!

photograph taken with gallery permission

photograph taken with gallery permission

Also see the Pieces of Eight blog with photographs of the opening night.
And read an interview with Natalia on Craft blog.
Make sure you visit Natalia’s website and tumblr.

Natalia Milosz-Piekarska ‘Immortal Morsels‘ is at Pieces of Eight until 21st June 2014.

17th September 2010: Karla Way and Natalia Milosz-Piekarska ‘Bad Beasts Do Not Harm Me‘ @ Craft Victoria

Mentions in other posts





Helen Britton ‘pairs of pieces’ @ Gallery Funaki

24 05 2014

Regular readers will know of my exceptionally strong admiration of Helen Britton‘s jewellery (she’s on my lust-list and I’ve been smitten for a while now).

Well, I was beside myself* while viewing her latest exhibition: pairs of pieces‘ at Gallery Funaki.

photograph taken with permission

photograph taken with permission

The exhibition media is eloquent and enlightening, and worth repeating in full:

“When I’m making my work, although I rarely have a clear idea of the end result, I am in pursuit of a fleeting vision that I chase along until the pieces start to materialize on my worktable. Over so many years of making I have observed that this often results in pairs of pieces. There they are then, in the end, these two friendly companions, singing together, vibrating at the right intensity, complementing each other, yet quite autonomous.

What happened along the way? Was there just too much to say to fit into one work? The vision is often dense and chaotic, so perhaps it is a kind of spreading and organizing within the creative process that produces the two possibilities. And this is jewellery after all, so there needs to be space for the wearer.

It not only like this though. At other times, works are being made or coming back to the studio. I lay them out to revisit them, learn more about them, and during this process I recognize quite clearly relationships between pairs, that may in fact be separated by months or even years. For this exhibition I have made and gathered works that examine this experience.”

Helen Britton, 2014

photograph taken with permission

photograph taken with permission

Once again the monochrome rings called out to me. They’re absolutely stunning.

If the one on the left in the image below hadn’t already been sold I expect I’d be fretting over whether to purchase it or not … completely amazing.

courtesy of the gallery; click on image for original source

courtesy of the gallery; click on image for original source

The neckpieces are beautiful too – which even surprised me, as I don’t usually respond to too much colouring in jewellery. There was a brooch with the most enchanting lavender / pale rose kind of colour that I couldn’t take my eyes from.

And then there was this ring .. swoon.

courtesy of the gallery; click on image for original source

courtesy of the gallery; click on image for original source

I also really liked the exhibition design: the uneven and rough-edged constructions are ideal stages for the jewellery.

Make sure you look at all of the images on the Gallery Funaki site – too beautiful. In fact, go and see it in person if you can.

Helen Britton ‘pairs of pieces‘ is at Gallery Funaki until 14th June 2014.

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* I may have squealed a little when I spotted the rings.
I’m also pretty sure I did a little skippy-dance as I made my way towards them.

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