Calendar: December 2011

30 11 2011

not sure of dates:
Studio Ingot, Romy Mittleman ‘rough charm‘; “Sapphires and rubies in a natural, unpolished state, combined with roughly hewn precious metals form the basis of Mittleman’s most recent collection. Employing the ancient art of lost wax casting, she has produced a unique range of jewellery that elevates the inherent beauty of uncut precious gems.” [link]

screen shot (5th December 2011, 18:53); click on image for original source

all month

  • Kaleidoscope: Art & Colour‘, NGV [link]; until 5th February 2012
  • Powerhouse Museum, ‘Love Lace‘ [link]; until April 2012

1st December: Craft Victoria ‘Fresh!‘ graduate exhibition [link]; “Fresh! is Craft Victoria’s annual exhibition of work by graduate students. Every year Craft Victoria invites 20 industry professionals to visit over 35 graduate exhibitions across Victoria and select works by the best upcoming makers. Works are selected collectively from the fields of ceramics, glass, jewellery, gold & silver-smithing, fashion, textiles, industrial and furniture design and visual arts. Professional development opportunities are offered as awards in partnership with industry supporters.“; until 23rd December

1st December: Hand Held Gallery, Suse Scholem ‘Abject Object‘ [link]; “A exhibition of uncanny and sensual jewellery pieces by emerging artist Suse Scholem. Unusual jewellery forms evoke the imagination, intriguing yet perhaps a little disconcerting in their composition and aesthetic. Inspired by materials such as glass, bone, latex and silver, Scholem combines these with found objects and processes of glass blowing and electro-forming for the dynamic series Abject Object. Aesthically Scholem challenges polite forms of adornment, whilst thematically drawn by the social potential of Contemporary Jewellery. Our bodies are social spaces which interact with all around them. Jewellery’s close relationship with the body provides a unique platform for personal, social and emotional interpretation. This exhibition houses wearable pieces which convey both distinct and ephemeral moments, objects alluding yet subjective“; until 24th December

3rd December: last day for Gallery Funaki, Helen Britton ‘industrial‘ [link]

4th December: last day for ‘Tutankhamun and the Golden Age of the Pharaohs‘, Melbourne Museum [link]; originally it was until 6th November (see here)

4th December: last day for ‘It was Like a Fever‘, RMIT Gold and Silversmithing Graduating student exhibition; No Vacancy Gallery, 34 – 40 Jane Bell Lane, Melbourne [link]

8th December: last day for RMIT Master of Fine Art exhibition [link]

exhibition media

8th December: RMIT New Collectables 2011 Auction [link]; “New Collectables is an annual event presented by RMIT Link Arts & Culture at First Site Gallery. It aims to provide RMIT students with an opportunity to exhibit their artworks, and a professional environment in which to offer their work for sale to the public. The gallery will host a live auction of artworks on December 8, and will be open for backroom sales and viewing from 7 – 9 December.

10th December: last day for Lord Coconut ‘The Charles T Fairthorne Travelling Collection of Natural History Curiosities‘ [link]

16th December: last day for applications to Preziosa Young 2012 [link]

please tell me of other exhibitions …

plan ahead for [see also]:

10 – 13 February 2012: JEMPOSIUM: Jewellery or What; International Jewellery Symposium; Wellington, New Zealand [link]

1st June 2012: last day for application to New Traditional Jewellery 2012 award [link]

… last calendar post: December 2011 sneak peek





NMIT graduates ‘Auteur’ @ Northcote Town Hall

29 11 2011

It’s that time of year – many graduate exhibitions to visit.

The NMIT graduate (Advanced Diploma of Engineering Technology (Jewellery), 2yrs) exhibition is ‘Auteur‘ at the Northcote Town Hall.

image taken with permission

Participating artists are: Emilia Athanasiadis, Katia Di Crescenzo, Emily Jane Edwards, Maximillian Egan, Tatiana Torres Garcia, Carla Garro [site], Maha Ghobrial [site; particularly liked the enamelled neckpiece], Rayin Haining, Jayde Hollingworth, Kate Jungwirth [site; her pieces were quiet and beautifully made], Carole Kernohan, Jenny Maynard, Rikki Moore, Rebecca Munn, Asha Nicholas, Larah Nott, Stephanie Putker, Chanittha (Gibby) Satitphat, Penny Scallan, Siobhan Elise Schembri, Paula Slutskin, Chloe Smith [blog], Rhiannon Smith, Michelle Stewart [site], Khanittha (Karen) Suwitthayaporn, Ilze Svarcs [site], Jessica Helen Travassoros [site], Chi Trung Trinh, Henrietta Walker, Joel Walton [I really liked his 'Orbit' piece, and think it'd look great as an object], Robert Withall.

image taken with permission

I wrote in my review post on the last NMIT exhibition of the different focuses of NMIT and RMIT. I don’t want to repeat myself, but it’s hard not to notice – especially when I visit the exhibitions on the same day. The most obvious observation is that the NMIT exhibition has so much more highly polished metal (not a finish I like unfortunately).

image taken with gallery permission

If you’re interested, check out my post on last year’s exhibition ‘Forge‘.

I’ve seen so much art today, I have art fatigue!!

Auteur‘ is at Northcote Town Hall until 27th November 2011.





Melbourne jewellery galleries and artists: part 4

27 11 2011

Just a quick update to my little series of posts on the topic of the relationship of jewellers to galleries in Melbourne …

Anna Davern kindly (bravely) wrote a comment on the most recent post, and has just today published a post with musing of her own on the topic …

It has given me some insight to the individual artist’s struggle with such matters … it can’t be easy.

Thank you Anna.

I’d love to know about others’ thoughts too.

Update (28th November)

Thanks also to Katherine Bowman for sharing her thoughts on her post yesterday too.

The expectation of discounts is a prickly one – I think a customer has no inherent right to expect such a thing (though they may hope), and if that is their sole motivation for contacting the artist directly then I would question their genuine understanding and valuing of the handmade.

When I commission work from artists privately, I have asked them if they would make me something and I ask them what they will charge me for it. Simple.

If an artist chooses to offer me a discount, of course I would not decline. However far be it from me to expect or ask for one – heavens!! Often I will already have a feel for what I may expect to pay before asking (I don’t want to be embarrassed, or waste their time). And in the rare case that I’m not in a position to pay a price for the time being, I postpone the purchase until I can.

The way I see it – I think it’s more than fair for an artist to ask for retail price when they have received a private commission. To my way of thinking, while the artist may not have all the setup fees and commissions etc. that a retail space may, I feel like the ‘extra’ an artist may receive by selling a piece privately versus through a gallery is a kind of bonus for them. That’s not quite the right word … hopefully you see what I mean.

And I absolutely feel for Anna when she writes how she relies totally on the honesty of the approaching customer to understand if there is a particular gallery that has fostered the interest in her work. On top of that, I begin to feel uncomfortable about how difficult it could become to manage when your work is in a few galleries as well as online, any of which could have influenced the potential purchaser.

What has also come home through thinking about this is the sincere mutual respect between galleries and artists – each wanting to do the best for the other. There is no suggestion that all artists can go ‘renegade’ and depart from the gallery system … and I wouldn’t think many would want to anyway, for galleries in Melbourne offer so more to an artist than just a shelf to sell work on (critique, support, encouragement, expertise in selling, managing enquiries, new opportunities, audiences and more … the list is pretty long).

I perceive an awkward conflict though between this and in the need for an artist to make a living; an artist would usually receive more money ‘in the hand’ through charging full retail price on a private commission than they would if the same piece is sold through a gallery.

Though it sometimes feels a bit wrong to sully the beauty of making with the reality of money…

[Just to be clear: I don’t sell through a gallery or private commissions … as I’ve recently written, I hardly make any more! So the above is just my sense of the issue.]

Update (28th November): Lucy has added a great comment too – thank you! I particularly love her comment that she’d rather spend time making than selling … beautifully said.





RMIT students ‘Work Hardened’ @ Spill Art Space

26 11 2011

It’s pretty strange sometimes how fast time goes – I’ve not been well and have been missing exhibitions all over the place.

Though I did finally make it to the RMIT 1st and 2nd Year Gold & Silversmithing (Bachelor of Fine Arts) student exhibition ‘Work Hardened‘ at Spill Art Space at Boscia Galleries, unfortunately it was on the last day (good for me, not so good for readers).

installation; image taken with gallery permission

There’s a lot to look at – there are 130 pieces of jewellery and smithing here.

And I very much liked the gallery space – light-filled and not as empty as some spaces can feel. I’ll keep this in mind for any of my future exhibition ambitions.

installation; image taken with gallery permission

!st year students: Meg Ayton, Chloe Biddiscombe, Sue Buchanan, Pamela Chan, Katie Collins, Eli Giannini, Cecielia Gregory, Ada Hodgson, Sarah Jones, Kim Jonsson, Jasmina Krupic, Patrick Mays, Roslyn Peric, Jana Roman, Kate Wischusen, Michael Wong, Xuelin Wong

installation; image taken with gallery permission

2nd year students: Bridget Barnes, Isobel Fish, Annie Gobel, Eva Gaitatzis, Anna Gibbs, Annie Gobel, Lucinda Knight, Chris Massey, Ally McNaughton, Lindy McSwan, Danica Moorcoft, Thomas O’Hara, Stephen Robb, Elise Sheehan, Lena Danli Sun, Romy Sweetnam, Breanna Timmins, Natt Underwood, Esther Weinberg, San Young Kim

installation; image taken with gallery permission

The smithing pieces were most impressive to me. I do love raising … ah, the memories. I was wondering who was the smithing teacher this year, as the pieces were all pretty great and a number particularly adventurous and took a great deal of skill.

Standout pieces for me were:

  • Annie Gobel, ‘Elevated from the Ground‘, vessels and tray; beautiful colourful enamelled pieces; it seemed to me that there was a sureness and maturity in this piece, so that I wondered if the artist had previous experience before this degree; see the far left in the third image above
  • Danica Moorcoft, ‘Fritzel, Baby Bowl‘, vessel; this is included in the stand-out list mainly because it totally freaked me out! it’s interesting and I like some personality (though it made me really very uncomfortable); see top left in the second image above
  • Lindy McSwan, ‘Four Score Years and One’, vessels; actually, this was my favourite of the show, truly gorgeous vessels

    Lindy McSwan 'Four Score Years and One'

  • Eva Gaitatzis, ‘The History of Everything‘, tray and related objects; a lyrical arrangement I really liked (second favourite, if I may)

    Eva Gaitatizis 'The History of Everything'

  • Ally McNaughton, ‘ExtraTEArrestrials‘, teapots; absolutely loved the deconstructed teapots, stunningly made; left and bottom in the image below
  • Sue Buchanan, ‘Hold‘, container; folded black gorgeousness (no image here unfortunately)
  • … there were many many wonderful pieces, though I cannot write about them all (it was a struggle to limit myself to six, even when I promised myself I’d only choose five!)

Ally McNaughton, Elise Sheehan, Stephen Robb

I look forward to seeing some of the works these students make when they’re given free rein in third year… I was thinking how I liked first and second year work, for you can see the spark of ‘what they want to do’ starting to shine through ‘what they need to do’ for the degree … if that makes sense.

For a little bit of fun, check out my 1st and 2nd year exhibition review from last year:
Got a Nice Ring to it‘.

Work Hardened‘ was at Spill Art Space at Boscia Galleries from 16th to 26th November 2011.





Exhibition opportunity

26 11 2011

I’ve been asked by Lord Coconut to share the news with readers about an exhibition opportunity. Contact Lord Coconut for more information [info@lordcoconut.com].

LORD COCONUT is planning an exhibition to be held in-store during January/February 2012 to coincide with Australia Day titled “Bears, Boomerangs, Bathers and Booze – Kitsch Australiana”.

Expressions of interest are welcome from local Melbourne jewellers, designers and artisans which may want to participate in this exhibition.

Exhibition Name: Bears, Boomerangs, Bathers and Booze – Kitsch Australiana

Exhibition Theme: Mulga wood ashtrays, shell houses, souvenir spoons, tea towels or a southern cross tattoo. We all have (or had) a secret collection of these fabulous, or not so fabulous, souvenirs of our travels throughout Australia celebrating this wonderful country. Help Lord Coconut celebrate Australia Day in 2012 by showcasing your own take on the wonderful art of Australiana.

Jewellers, designers and artisans are challenged to create jewellery or a display piece which represents your own view of Kitsch Australiana.

Exhibition Date: 20th January 2012 to 11th February 2012

Exhibition Opening: Friday 20th January 5-7pm (tbc)

Expression of Interest (EOI) applications close: 9th December 2011

EOI Acceptance advised: 14th December 2011

Format: Works can be any medium but must not be larger than 20cm high X 20cm wide X 20 cm deep and must be created within the last two years.

Jewellery/artwork: All jewellery/artwork is required to be delivered to Lord Coconut along with the attached Exhibition Application Form by 3rd January 2012.

Any unsold jewellery/artwork must be picked up by the artisan by the 18th February 2012.

Consignment Agreement: Participation in this exhibition is dependent on the artisan signing the Lord Coconut Consignment Agreement if the artisan has not already done so. Consignment Agreement available upon request.

Exhibition catalogue: An exhibition catalogue will be produced and jewellers/designers agree to their names and/or images being used for promotional purposes including inclusion in the exhibition catalogue.





There’s lots to see

25 11 2011

There are a LOT of exhibitions on … I need to make a list, so that when I venture into the city this Friday or Saturday, I do what I can to minimise the risk I forget one! So the ones I have to visit are …

Group 1: those finishing this weekend:

  • e.g.etal, Vicki Mason ‘Botanical Fictions’ [link]
    Update (25th November): oh no, Vicki has written to me to say that the exhibition actually closed last weekend, though the dates  haven’t been updated on the website … oh no …

    exhibition media

  • Work Hardened, RMIT, 1st and 2nd year Gold & Silversmithing students [link]
    Update (26th November): see my review postfor this exhibition

    updated exhibition media

  • RMIT graduate exhibition, ‘Not Pictured‘, Fine Art Photography exhibition [link]
    .
  • Auteur‘, NMIT Graduate exhibition at Northcote Town Hall
    Update (29th November): see my review post for this exhibition

    exhibition media

Group 2: those finishing next weekend or later:

  • Gallery Funaki, Helen Britton ‘industrial‘ [link]
    Update (1st December): you MUST see this exhibition, see my review post

    exhibition image

  • Lord Coconut ‘The Charles T Fairthorne Travelling Collection of Natural History Curiosities‘ [link]
    .
  • It was Like a Fever‘, RMIT Gold and Silversmithing Graduating student exhibition [link] Update (3rd December): see my review post!

    exhibition media

  • Silverspun’, “The Box Hill Institute 2011 graduate jewellery exhibition, Silverspun, will showcase emerging artists’ work and also bring together Melbourne’s contemporary jewellery community. [link; tumblr] Update (4th December): see my review post

    exhibition media

Aw man – that’s SO MANY!





Blog roundup

24 11 2011

It’s that time again … enjoying reading the love that others share with the universe for us to read….

  • Bowen Street Collective shares some excellent images from the opening of the ‘Work Hardened‘ 1st and 2nd year RMIT G&S exhibition [link]
  • Clare McArdle shares some images from her trip in London [link] – ah the memories!
  • Elise Sheehan made a wonderful teaspoon collection [link]
  • still enjoying the photo essays of Inari [link]
  • Katherine Bowman has a gorgeous collection of little sapphires [link] – jealous much? and the two posts prior to that one are utterly beautiful too
  • Kim Victoria Wearne has some work at Alice Euphemia in the coming weeks [link]
  • sad to hear that Dagmar Rousset, where Peaches + Keen held their exhibition recently, will be closing soon – go along and give them one last hoorah if you can
  • some (what I perceive to be) Art Deco inspired awesomeness (the talons are less my style!) from Mecurialist [link]
  • Melissa Cameron shares her ‘ManJewellery’ piece [link] – wish I could have made it
  • Stephen Robb has made some fabulous silverware, hope to see it at the exhibition [link]
  • Zoe Brand shares images of the Curio at Gaffa (love this idea!) [link]
  • in a bit of tidy-up, I’ve deleted the following links from the ‘Hibernating’ group as they haven’t updated for ages: Brown Paper Collective, Elizabeth Kennedy, Emi Fukuda, Erika Harris, Hannah Ren, Jane Runtil, Liberty Browne, Natalia Milosz-Piekarska’s second blog, Puneet Jodhka, Sammy Lucas, Sharon Fitness; there are also a couple that may soon be moved from ‘Current’ to ‘Hibernating’, though I’ll leave that to next time
  • and lastly, I’ve received a little bit of blog-loving lately …
    thank you to Anna Davern and Esther … made me smile!

Happy reading.