Makers Mark is closing

30 07 2010

Only a quick update tonight…

A friend, who is on the Makers Mark Gallery mailing list, sent me the below this afternoon:

information from Makers Mark newsletter; used under the fair dealings provisions of the Copyright Act 1968 / c1975

It’s official then, Makers Mark is closing their doors on 14th August 2010.

I would expect that the larger discounts are not applying to artist works being sold on commission, as that would reduce their potential return; so perhaps the higher discounts are for the in-house pieces.

Also see the previous stories (first and second) and the comments left –  it seems store credit, gift vouchers and special orders are not being honoured; and that holders may simply be like any other creditors of the failed business.

I’d welcome comments about experiences and opinions of makers and buyers affected by this closure.





Calendar: August 2010

30 07 2010

all month

  • NGV (International), Winter Masterpieces ‘European Masters: Städel Museum, 19th–20th Century‘ [link]; until 10th October
  • Melbourne Museum ‘Titanic – the Artefact Exhibition‘ [link]; until 17th October
  • NGV (International) ‘Lace in Fashion‘ [link]; until 23rd January 2011

1st August: Open day for Monash University (Caufield) [link] – though note that it was commented on a recent post that Monash did not have a first year intake for jewellery in 2010, so it would be interesting if this is the case again for 2011?

4th August: last day for application to Griffith City Council 2010: National Contemporary Jewellery Award [link]; acquisitive prize of $5000

4th August: Melbourne Art Fair, Royal Exhibition Building; “an exhibition of leading contemporary art, presented by over 80 selected national and international galleries. The biennial event features paintings, sculpture, photography, installations and multi media art works of over 900 artists” [link]; until 8th August

5th August: launch of Craft Victoria ‘Craft Cubed [link]; “the theme is Childhood. Artists have long engaged with issues associated with childhood, and it is a particularly relevant query today as to what constitutes childhood – how do the different forms and phases of childhood affect the arts, and what is the importance of play?“; until 6th September; there is SO much going on, so check out the website program, and also the satellite events

6th August: ‘Jewellery Practice as a Site for Enquiry‘ [link; link] seminar at RMIT; “This one-day seminar is designed as an opportunity to examine how the parameters of contemporary jewellery practice are being tested, developed, challenged and/or contested by those makers researching or practicing in the field. Organisers are interested in reflecting the breadth of models for framing practice and opening the dialogue around recent concerns such as; sustainability, relational aesthetics and performative practices, temporal or site-specific works.

6th August: Mari FunakiObjects‘ exhibition at NGV Ian Potter Centre [link]; until 24th October

6th August: ‘Playing Field‘, group exhibition as part of Craft Victoria Craft Cubed festival [link]; “The exhibition features the work of Anna Davern, Jennifer Bartholomew, Anika Cook, Michael Doolan, Bern Emmerichs, Tim Fleming, Gracia Haby & Louise Jennison, Greer Honeywill, Ben Pearce and David Ray“; Anna Davern kindly gave me permission to use the below image, in her words: “The theme of the festival is ‘childhood’ and my response has been to look at the darker side of childhood fantasy. I initially played with this idea for e.g.etal’s exhibition Figment and was inspired to further explore the more frightening aspects of the Australian landscape.“; I’m also a super fan of Gracia and Louise, so looking forward to this!; until 4th September

image courtesy of Anna Davern, this piece is called Aragog

6th August: Gallery of South Australia ‘Gray Street Workshop: 25 Years’; “presents the work of well-respected South Australian jewellers and object-makers Catherine Truman, Julie Blyfield and Leslie Matthews” [link]; until 5th September

6th August: last day for application to the Woollahra Small Sculpture Prize [link]

8th August: Open day for RMIT (city) [link]

8th August: Craft Victoria Hatch Bonanza, Fed Square [link]

8th August: last day for Studio 20/17 (Sydney) Rosanne Bartley ‘The world is a circle we live in – excerpts of experience‘ [link]

10th August: Gallery Funaki, David Neale and Emma Price [link]; until 4th September

10th August: last day for Gaffa Keeper Gallery (Sydney), ‘First and Last‘ [link]; “20 Contemporary Jewellers, emerging and established, recount their tales as they reminisce about their beginnings and contemplate the next direction in their careers. The exhibition will consist of the first piece and last piece that these Jewellers have made and very literally tells of stories about where these makers have come from, where they have been and ultimately where they are heading.

11th August: RMIT G&S Jewellery Auction; at The Order of Melbourne, Swanston St; preview from 6pm, auction from 7pm [see my post on last year's auction, and many of my jewellery collection were bought at previous auctions - so excited to see what the RMIT makers are up to!]; blog here

13th August: ‘Craft and Design as a Career’ seminar, part of Craft Victoria Craft Cubed festival [link]

14th August: Craft Victoria ‘Craft Hatch‘ market [link]

14th August: last day for Hand Held Gallery ‘Snip, Slice, Saw‘; group exhibition exploring cutting in metal and paper [link]

16th August: Claire McCardle ‘tokens of place‘ solo exhibition, Guildford Lane Gallery [link]; until 29th August

exhibition invitation

16th August: Helen Bowman ‘indelible‘ solo exhibition, Journal Window (City Library) [link]; launch 19th August 5-7; until 30th August

exhibition invitation; courtesy of artist

16th August: ‘Make it, Design it, Fund it’ seminar, part of Craft Victoria Craft Cubed festival [link]

16th August: last day for application to NAVA Skills and Arts Development grants [link]

19th-20th August: Open Studios at Nicholas Building, part of Craft Victoria Craft Cubed festival [link]; 4-9pm each day

21st August: last day for Julia DeVille ‘Night’s Plutonian Shore‘ at Sophie Gannon Gallery [link]

22nd August: Open day for Box Hill Tafe [link]

23rd August: ‘Craft Online: websites and blogs made easy’ seminar, part of Craft Victoria Craft Cubed festival [link]

23rd August: ‘I’ll show you my craft if you show me yours 2‘, exhibition, part of Craft Victoria Craft Cubed festival [link]; until 4th September

27th-28th August: Nicholas Building open studio [link]

31st August: Open day for NMIT (Fairfield) [link]

31st August: last day for application for 2011 exhibitions at Studio 20/17 (Sydney) [link]

If you know of any other jewellery / object exhibitions during July 2010, please let me know by comment or email


plan ahead for these
[see here for others]:

28th September – 2nd October 2010: Museums Australia fourteenth annual Museums Australia National Conference, ‘Interesting Times: New Roles for Collections‘ [link]; “The conference will be of interest to everyone involved in collecting organisations and institutions of all sizes across the museums sector including staff,  boards and management committees, funding bodies, researchers, students and volunteers from museums, art galleries, libraries, archives and universities.

1st October 2010: last day for application to Talente 2011 [link]

link to exhibitions and events on the July 2010 calendar …





RMIT Year 1, Semester 1, Silversmithing #1

28 07 2010

It’s been a while since I last wrote about my RMIT projects… so, still looking at my first semester there, now on to silversmithing…

First year, first semester, Silversmithing, project #1: ‘Flatware’

This project was used to explore forging, and we were to produce two pieces of flatware (from the spoon or fork family). During the research into the history of flatware, I fell for Roman spoons and still think they’re lovely; those from the Mildenhall Treasure were favourites.

from visual diary of the time

Then, reading my visual diary, it seems I got carried away with the golden mean – the traditional proportion favoured by the Greeks. Not sure about the connection to the Roman spoon though – perhaps I was trying to understand why I was attracted to the shape? Anyway, in playing around with the golden mean mathematics, I drew the first spoon I ended up making from copper (it’s just over 7cm high).

from visual diary of the time; amended copyright notice: not to be reproduced without permission

copper spoon; original image by Mark Kral; amended copyright notice: not to be reproduced without permission

This started as a copper billet that had to be hammered (forged) and basically wacked into shape; there was no soldering involved, but there was certainly lots of filing.

The second spoon was a partner to the one above, but with a rounder form; and it is smaller, as it was made from sterling silver (from an ingot we cast ourselves from silver granules). Sterling silver is harder to work than copper, so I was happy that I’d decided to do the ‘simpler’ one in silver.

silver spoon; original image by Mark Kral; amended copyright notice: not to be reproduced without permission

I gave this spoon to my god-daughter on her christening in early 2006 … I’d like to think my brother understood how hard it was to give away something that took so much effort to make, but she’s pretty special and I hope she grows to treasure it.

… previous post in this series: RMIT Year 1, Semester 1, Enamelling #4





RMIT seminar: Jewellery Practice as a Site for Enquiry

26 07 2010

Next Friday, 6th August, will see an all-day (9am – 4pm) seminar at RMIT: Jewellery Practice as a Site for Enquiry.

Media: “This seminar is designed to be an opportunity to examine how the parameters of contemporary jewellery practice are being tested, developed, challenged and/or contested by those makers researching or practicing in the field. Organisers are interested in reflecting the breadth of models for framing practice and opening the dialogue around recent concerns in relation to sustainability, relational or interactivity and the need to diversify practice in the face of globalisation.

Speakers include:

Register by following this link.





Little bit of eye candy…

23 07 2010

I thought a post with a photograph would be a lovely welcome break after so many posts with only text.

My two little rosewood drawer units, under my treasured Sharon Green photograph ‘Cabin Fever‘ (from the ‘The Lonely Empire‘ 2005 series), is my favourite place for display of little objects I own (or have made). For a little while now it has been home to Katherine Wheeler‘s ‘stilt cup‘, which I still adore, and which I bought at her exhibition at Hand Held Gallery earlier this year.

my lovely little Katherine Wheeler stilt cup





Makers Mark update

21 07 2010

An update on the earlier post, word on the street includes:

  • Debt is apparently in the many millions of dollars (part of me hopes I’ve heard that wrong; so confirmation/correction would be appreciated)… Did I say voluntary administration was responsible and sensible? Perhaps responsible would have been seeking assistance/advice a bit earlier.
  • If the numbers are right, perhaps the optimism I had for them trading out of their financial trouble was unrealistic.
  • I understand quite a few makers are owed money (boo) and that the gallery has had a reputation for being notoriously difficult to extract payment from.
  • If makers are owed money, can anyone tell me what will happen if the gallery does close? I expect that makers are creditors, but are they first in line for monies? Are they likely to only receive a portion of what they’re owed (likely if the full amount of the debt cannot be recovered from liquidation proceedings I think)? Would that make it better for a maker to retrieve their pieces as early as possible – at least with the piece in their hand a maker can resell it at its full value, as opposed to perhaps only receiving a portion of its value if it’s sold in the gallery in the meantime? Are there restrictions for such actions though – I don’t know how the gallery-artist agreement is structured?
  • The picture being painted for me is one where business practices may have been the main issue; so my initial question around whether Melbourne had reached a kind of market saturation for jewellery and artisan objects is probably answered with a ‘no’. It looks more than likely Melbourne will be one gallery short in the near future … is this an opportunity for another gallery space to open? What could the future of the Melbourne gallery scene look like? I’ve been thinking that Makers Mark created/filled a space of artisan/hand-made, though perhaps slightly conservative, jewellery (when compared to Gallery Funaki say; as many of the pieces were mainly made from precious materials from my memory of my visits) …
  • I understand makers with work at the gallery were required to submit paperwork on their pieces to the administrators by last Friday, after getting notification last Tuesday … geez, less than four days notice, that’s really short notice even for the most organised person (though this is more an action of the administrator than the gallery).
  • The gallery twitter account linked to my last story, and a link to the twitter account is published on their website News page. I initially thought this was quite odd, but I’ve thought a little about this – I originally thought that it might have been best that the administration remain as unknown as possible among the general public; however perhaps the more people who know, the more foot-traffic the gallery may receive in the limited time they have before the next creditor meeting, and the more sales may be made, the more debt reduction, etc…
  • There has been more coverage (again tweeted by Makers Mark) here

Any comments or thoughts, especially from those makers affected, certainly welcome.