More Madrid

22 07 2014

More travel memories.

I promise, jewellery-related posts soon …

main rail station

main rail station





Madrid memories

18 07 2014

Still thinking about travel.
About fabulous architecture.
About shapes.

Madrid architecture

Madrid architecture





Blog roundup

17 07 2014

A few things I’ve enjoyed reading lately:

I’ve noticed that oodles of makers are taking up instagram … perhaps I need a new listing … something to think about …

A number of blogs haven’t been updated for over a year, and so they’re being removed from the listing but have been listed here for posterity:

I’ve also checked every website link and deleted those that don’t exist anymore.
If your site isn’t on my links page please let me know – I’d love to add it.

Also, check out the ‘Meet the Maker’ series in The Age newspaper.





My pieces for RMIT Auction 2014

14 07 2014

So the decision has been made.

This year I’ve donated two pairs of earrings to the RMIT Object-based Practice Gold & Silversmithing 2014 Auction:

donate_noflash

without flash

donate_flash

with flash

I like the back of them too.

In fact, a friend I made a bespoke pair for re-bent the ear wires to wear them ‘backwards’ – which in fact looks even more excellent.

donate_flatwhite

Flat White

donate_miami

Miami

Check the details of the RMIT Auction on their tumblr here – get donating and/or get buying!

[Please note: all images in this post not to be reproduced without permission]





Karl Fritsch ‘yodel’ @ Gallery Funaki

11 07 2014

What’s not to love about Karl Fritsch I ask you?

Karl’s latest exhibition, yodel‘ at Gallery Funaki, delivers what you’d expect, and hope for, from this modern master – subversiveness, cheekiness, playfulness, unusual handling of materials, challenge, uncertainty, remarkable individuality, smirks, and absolute delight.

beautiful image courtesy of Gallery Funaki; image copyright belongs to the gallery

beautiful image courtesy of Gallery Funaki; image copyright belongs to the gallery

Exhibition media: “His rings, both precious and anti-precious, beautiful and proudly anti-beautiful, bear the weight and scars of centuries of embedded cultural belief about jewellery’s manifestation of status. Using precious materials as well as rough hewn aluminium, stones and glass, Fritsch’s work has the look of something buried for a thousand years while remaining utterly contemporary.
Selected works are also shown from a recent collaboration between Fritsch and Auckland based photographer Gavin Hipkins

exhibition media; courtesy of Gallery Funaki and the copyright remains with the gallery

exhibition media; with thanks to and courtesy of Gallery Funaki; copyright remains with the gallery

There are some truly monumental pieces in this exhibition, including those in the exhibition image (above). These are made of aluminium and set with brightly coloured stones. I admit to being both amused and uncomfortable with them.

They’re cheerful and hilarious in their chunkiness, scale and gaudy colour combinations … and in reflecting on them I realised that for some reason I do prefer my jewellery to be serious [which is entirely my burden to bear and not the responsibility of any artist to relieve me of it!]. I wondered if I may have found them more satisfying if the finish were more textured and bashed-about and a smidge less shiny-shiny [again, totally my perception]? I’d like to think more about these…

Ring #351, 2011; image with thanks to and courtesy of Gallery Funaki; copyright remains with the gallery

There were some rings that I genuinely fell in love with, much to my delight. Most especially a yellow gold ring set with orange garnets (above). The gold rectangular strip, perhaps 10mm by 2mm (or so), has been simply curved into a ring with a satisfying overlap; with five little pillows set with varying colours of tiny garnets. Completely delightful in my view. I tried it on, though sadly my skin tone doesn’t do it justice – it needs someone with more olive or tanned skin than I to bring it to life. Sigh.

The others that particularly appealed to me where the yellow gold ones, set with little stones. I suspect I’m in a matt gold kind of phase… how ridiculously gorgeous is the one in the image below?!

with thanks to and courtesy of Gallery Funaki; copyright remains with the gallery

with thanks to and courtesy of Gallery Funaki; copyright remains with the gallery

There is so much to look at and think about: 67 rings (with creations years varying from 2014 back to 2004), 2 bracelets, and 7 collaborative images and objects.

with thanks to and courtesy of Gallery Funaki; copyright remains with the gallery

with thanks to and courtesy of Gallery Funaki; copyright remains with the gallery; ‘Der Tiefenglanz (Cosmos)’, 2014, silver gelatin print, aluminium, cubic zirconia

The photographic collaborations with Gavin Hipkins are moody and interesting; though I did find myself somewhat distracted by the glory of Karl’s rings. The above is particularly amazing – the scale in the image is misleading, as I originally thought it may be about postcard size, but in fact it’s about A4 and so the scratches are forceful and have great presence.

It’s a surprise to me that my understanding of Karl’s work continues to deepen, and I’m glad for it. Go forth and see what you see too.

Karl Fritsch’s ‘yodel‘ is at Gallery Funaki until 9th August 2014.

—–

Other posts about Karl Fritsch:

20th December 2010: Returning to the jewel is a return from exile’ @ Tarrawarra Museum of Art

9th June 2010: Karl Fritsch ‘freeling‘ @ Gallery Funaki

—–

Update (12th July): after a little more thought, I wondered about the title of the exhibition … why ‘yodel‘?

A little bit of research later … consider these descriptions of yodeling: “repeated changes of pitch during a single note” or “oscillates on neighbor tones” or “an ornament or trill in phrases which have long syllables” and “the basic yodel requires sudden alterations of vocal register from a low-pitched chest voice to high falsetto tones” and of course its use as a means of village-to-village communication.

While I cannot speak for why the title was chosen, I do like very much the connections these little snippets create in my mind.

—–





Birthday knitting

11 07 2014

A friend is celebrating a significant birthday today. N’aw.

I knitted her a very special shawl in the most beautiful silk in a stunning deep orange colouring.

lovely shawl

lovely shawl

Happy birthday M!

Details

  • yarn: DyeforYarn 15ply (fingering weight) mulberry silk
  • colour: Passing Leaf Storm
  • Sugared Violets‘ by Rose Beck
  • my Ravelry project is here





An epiphany of sorts

7 07 2014

I’ve been thinking a great deal about life works, legacies and labours of love.

I’ve been forlornly wishing I could have found, or can find, that one passion … that one great obsession … that one singular body of work or contribution that I can make and leave to the world.

Though of course things just don’t work that way.
And this weekend I’ve had an epiphany of sorts.

Instead of focusing on the outcome and hoping to derive the starting point from there, I just want to do something for the love of doing it. For the absorption in the act alone. And to experiment with lots of little activities and let the inspiration grab hold of me.

I know I’m not the first one to think this.
And perhaps I could have figured it out earlier.
I’m also sure that if someone had told me I wouldn’t have understood;
… I prefer to come to revelations like this all on my very own.